Friday 5 July 2024

Ultima Thule

In classical and Medieval literature Thule was a distant place, a place beyond the borders of the known world. To the Romans Thule was the most northerly location known to them- Orkney possibly or Shetland. By the late Middle Ages Thule was Greenland or Iceland. Ultima Thule is beyond there. On 1st January 2019 NASA's New Horizons spacecraft flew by an object known as Ultima Thule, a lump of rock that floats in the Kuiper Belt, the farthest object in the solar system, a piece of rock now renamed 486958 Arrokoth. I'm not sure the renaming is an improvement but Ultima Thule is now somewhere else I suppose, even further away. 

In 1972 Tangerine Dream released a 7" single called Ultima Thule, an instrumental track split into two parts, one either side of the record. For this single the group were not fully electronic, and the track is not sonically in the same place as the group were when they made the pioneering kosmische of 1974's Phaedra and 1975's Rubycon. Edgar Froese's group has had over twenty members of the decades. In 1972 they consisted of Froese on audio generators and gliss guitar, Christopher Franke on keys, cymbals and analogue synth and Peter Baumann on organ, vibraphone and another analogue synth. Zeit, also out in 1972 but sometime after Ultima Thule, is slow-ish, atmospheric space music with cellos and Florian Fricke from Popul Voh guesting on Moog. Before Ultima Thule in 1971 they made Alpha Centauri with keys, organ and flute, dark, open ended space music. 

Ultima Thule Part 1

Ultima Thule doesn't really sit in with any of these, although the questing, experimental, space music tags all fit. Ultima Thule is loud, led by punching, tumbling drums, aggressive and overdriven guitar riffs, loud psychedelia with kosmische organs pushing through in the mix. There may be a mellotron in there too. While the 7" single may not seem to be the place to find Tangerine Dream, it's obvious really that this track needed a separate release from what came either side of it, to mark it out as different from the music on Alpha Centauri and Zeit. Your Krautrock/ Kosmische folder is not complete without it. 

It's a little strange that I've got several albums by Tangerine Dream and this is the first time they've appeared at Bagging Area. It's always good to find artists I haven't written about before, to add another name as a label and to keep moving things forwards. I don't know at the time of writing the scale of the Tory defeat at yesterday's general election. I wrote this post in advance and have taken a reasoned gamble that they lost and have my fingers crossed they lost heavily. In which case today is a new dawn, a Tory government free country. There were times it felt like Tory rule would never end. I'm sure a lot of you, like me, find a lot to celebrate in the fact that it's over, they've gone. Something to savour, for a few days at least.

Thursday 4 July 2024

Today's The Day

Today’s the day.

Fourth Of July

Fourteen years of the worst government and worst leaders/ politicians this country has known since the extension of the franchise will come to an end today. For a party that prides itself as the natural party of government, the nature of the five Conservative Prime Ministers and their policies and actions since 2010 has been staggering, an unending run of incompetence, lies, cuts, cruelty, corruption and criminality and a ceaseless (until today) shower of men and women who represent the most overpromoted cabinet minsters we’ve ever suffered. For anyone who suffers from imposter syndrome at their work, something we all do from time to time I’m sure, just a glance at some of the people who’ve held high ranking cabinet posts in this country since 2010 should cure you of that- Liz Truss, Jacob Rees- Mogg, Dominic Rabb, Matt Hancock, Oliver Dowden, Theresa Coffey, Andrea Leadsom, James Cleverly, Kwasi Kwarteng, Kemi Badenoch, Suella Braveman, Boris Johnson, Rishi Sunak, on and on it goes. Many of these people would think twice about being able to run a medium sized outlet at a retail park. The Tory Party put them in charge of the country.

Let’s run through their legacy briefly.

David Cameron, Theresa May, Boris Johnson, Liz Truss and Rishi Sunak; between them they have made the country and its people poorer in every way, from austerity to Brexit and beyond. They have diminished us all, made the nation smaller, meaner, grimmer and inward looking. There is little hope or optimism, no sense as there was in 1997 that things can get better. We have become a small, narrow minded, poverty stricken, regressive nation on the north west edge of Europe cut adrift by the Tories. 

Between them, the five Tory PMs have cut funding to councils by up to 50% with the inevitable cutting of vital local services. Axed genuinely beneficial services for young people like Sure Start and Connexions. Introduced the two child cap on child benefit plunging families into poverty. Capped local housing allowance that has pushed people out of renting and into homelessness. Cut the educational maintenance allowance for 16- 19 year olds from poorer backgrounds. Tripled university tuition fees. Axed grants for low income students. Cut the budgets of all government budgets leading to underfunded schools and hospitals, threadbare public services, and violently overcrowded prisons. Overseen a vast recruitment and retention crisis in teaching. Scrapped the Green Deal. BREXIT. Labelled the judiciary as ‘enemies of the will of the people’. Windrush. Prison ships to hold refugees and migrants. The illegal proroguing of parliament. Restrictions to the right to protest. The Rwanda scheme. A housing crisis. The crashing of the entire UK economy in 49 days in 2022. Stagnated wages. Falling living standards. An increase in poverty. Approximately 3.6 million children are defined as living in poverty. Widespread use of food banks. A 74% increase in rough sleeping. Hospital waiting lists longer than ever. Ambulance waiting times longer than ever. A crisis in GP services and dentistry. The state of childrens' teeth is worse than at any point since the introduction of the NHS in 1948. The awarding of PPE contracts to friends during Covid. The breaking of the laws they made to protect all of us and the refusal to acknowledge that there was anything wrong with this. A sense nationally that in living memory things have never been worse, are still getting worse and that they can’t see a way they’ll get better.

Whatever happens today, these people must be defeated. Not just defeated- electorally obliterated, ground into the dust, humiliated, chased out of constituency after constituency, rejected so comprehensively that the Tory Party is for a generation (at least) associated with the stink of their failure, their policies and their defeat. They must tear themselves apart in response to this, shrink even further into right wing factions and strange regressive, nostalgic cults who get teary eyed over the sound of Spitfires and the words free trade. 

I think for that reason that voting tactically is the correct thing to do- we must vote to defeat the Tories. It’s that simple. If that means Labour, vote Labour. If that means Liberal Democrat, vote Liberal Democrat. If that means SNP, vote SNP. If that means Reform, vote... actually, don’t bother, go back home.

Reform have been canvassing in south Manchester, a handful of local volunteers setting up in suburban town centres under their racist gazebos and talking to passersby, trying to convince them to entertain Reform’s outsider narrative. It’s no surprise that the last few weeks have seen various Reform candidates come to light as cranks, conspiracy theorists and racists. They may not all be racist, conspiracy theorists but there will be plenty of them- far right grievance politics attracts them. I think there’s an argument that the concerns of the 12% or so of the population who’ve been polled and say they're voting Reform during the last few weeks need addressing, their disaffection needs to be engaged with. But Farage himself is a chancer and a grifter, a posh, privately educated former merchant banker who has portrayed himself as a man of the people. ‘He speaks the truth, he says what the others don’t say, he tells it like it is’ is a common fallback, fuelling the view that all of Westminster is ‘the same’, everyone tarred with the same brush as the list of Tories who have lied and shlepped their way through parliament since 2010. I see this at school where Farage’s message is cutting through with some of the youth, 14- 15 year old boys who aren’t old enough to vote yet- but will be next time. Farage is the pub bore writ large. Disruption for laughs. Stirs up division, then goes home. I hope the people of Clacton send him packing.

Clampdown

'They put up a poster saying we earn more than youWhen we're working for the clampdown

We will teach our twisted speechTo the young believersWe will train our blue-eyed menTo be young believers
The judge said five to ten but I say double that againI'm not working for the clampdownNo man born with a living soulCan be working for the clampdown'

Farage’s politics are the politics of division, the othering those who are ‘not like us’. In May this year he said British Muslims 'do not subscribe to British values', a comment that labels all British Muslims as them. He peddles the far right politics of resentment and grievance. None of the main parties have tried properly to counter his narrative- that migration has a net benefit for the UK, that our economy and services won’t work without it, that illegal migration actually accounts for less than 5% of all migration annually, that other countries have taken many more refugees than the UK has. This has been the main success of Farage and the right wing press that amplify him – to make immigration undiscussable in rational terms and to shift all the main parties into anti- migration territory. The far right playbook is a massive concern- look at France and the US – and Farage pulls pages from it all the time, being careful not to ay anything explicitly racist while fanning the flames of racism. The prospect of Farage and a handful of Reform MPs in parliament is grim but it says something about where we are as a nation that it’s a possibility. Far right parties gaining the respectability that comes from being elected representatives has a long tail, and history warns us that it doesn’t end well. Labour and any/ all progressive politicians have to make the case against them and keep at it. The voxpop narrative, fuelled by Farage for his own benefit, that ‘they’re all the same, none of them can fix it’, is a cosy excuse for voting for Reform. What's more, I don’t think it’s true-  there are many people who go into politics because they want to improve things, they want to make people’s lives better. I don’t think many if any of the Tories who have been in power since 2010 have had this as a motivation. I think, at the very least, Starmer probably does.

What about Labour? I have struggled to find much to be that excited about. Kier Starmer is not exciting, he doesn’t set the pulse racing or inspire. That could be a good thing- maybe a period of dull but competent government is exactly what we need. He will have an enormous mess to deal with from tomorrow (assuming he becomes PM) and the manifesto has made some vague commitments to progressive policies (house building for instance) without really challenging the economic and political orthodoxies that have been in place for decades and are partly the reason why we are where we are- services that are underfunded and don’t work, industries sold into private hands and run for shareholders rather than the public, people who want the paradox of a low tax and low wage economy with a well funded NHS. Starmer’s stance over some things has been downright difficult to defend but I guess the bottom line is that five years ago no one would have believed Labour could overturn a Johnson majority of 80 seats and here we are, on what looks like the verge of victory. At the least, and it’s a low bar admittedly, a Starmer led Labour government will at least not have the outright performative cruelty of the post- 2010 Tory ones- the sheer cruelty and barbarism of the Rwanda policy for example. I hope he and they find something to give us some cheer, that there are some fixes for the mess we're in and that they can give us some hope. 

 Waiting For The Great Leap Forwards (Live in 2019)

In the constituency in South Manchester where I live, we can play our part in kicking the Tories out today. Since becoming aware of politics in the early 80s there’s only been one occasion where I’ve been able to celebrate a Tory electoral defeat- 1997. I’m hoping, praying and expecting that today is number two, that we can watch the results come into tonight with a growing Labour majority, Tory after Tory ejected and rejected, their legacy the long bitter taste of defeat, laughing our way through the night as they get their comeuppance. And that tomorrow we wake up to something better.

Today's the day. Fuck the Tories. 

Wednesday 3 July 2024

More Weekend Machines

At the end of May Jezebell released a track on The Ransom Note, the single minded dancefloor action of Weekend Machines. For much of the last eighteen months Jesse and Darren have created a Balearic soundtrack- their album Jezeballearic Beats Volume 1 borrowed the original Balearic Beats album's cover art, they sampled at length a monologue by legendary Ibiza DJ Alfredo, they pulled together samples and edits and rebuilt songs by Talking Heads, Siouxsie Sioux and Kajagoogoo, they purloined the 1988 Balearic classic Jibaro and Belgian underground classic from 1987 Max Berlin's' Elle Et Moi and on Jezeblue and Trading Places reimagined the Mediterranean sounds for 2023 into 2024. All this and more. A Balearic masterclass. 

They're now edging away from this, away from the poolside and beach and towards the darkness of the strobe lit basement, music with the sole purpose of finding a groove and making people dance. The EP's lead and title track, Weekend Machines, has one of those acid 303 basslines that you could happily allow to play forever, providing some bottom end to everything you do. On top, the synths and arpeggios dance around. Beneath, the drum machine power on. The vocal samples, distorted robotic voices, tell of the coming of the machines. Enough already, as they say- just get on the floor.

The remaining three tracks on the EP don't let up. Autostrada is a motorik hymn to the Italian motorway system, a futuristic 80s journey from Rome to Milan, drum machine rhythms clocking up the miles on the tarmac, a sample by Italo house pioneers Mr Flagio providing the spark for Jezebell's krauty machine music. Citric is bumpier, a bouncing rhythm and bassline switching the flow from four four to shuffle, with gnarly guitars and synths. The EP finishes with a remix of the title track by Shubostar, cosmic DJ/ producer from South Korea  but currently in Berlin. Her remix slows the pace slightly, drops the pitch and pulls the bass to the fore, and then achieves lift off with sci fi synth chords and bleeps, an 80s space TV soundtrack crossed with underground outer space chug. 

All of which, without wanting to get too '80s TV nostalgia' on you, led to me thinking about Erin Gray as Col. Wilma Deering in Buck Rogers In The 25th Century...



What's up Buck?

You can get the EP at Bandcamp

Tuesday 2 July 2024

Murky, Dignity, Surrender

Sean Johnston as Hardway Bros has a new EP out, an unabashed return to house music sounds and a homage to Murk Records (Miami based, formed in 1991). On Murky Sean has called in the vocal talents of Beth Cassidy (of Section 25 and Sea Fever) and she adds a sensual edge to Sean's four four thump, wonky synths and rippling, melodic toplines. A robotic voice demands, 'come follow me bay- bee'. Beth's voice, much more human and sultry, instructs, 'P- L- E- A- S- E me', and 'you'll do it/ You'll say it/ You'll feel it...'. A song dedicated to the serious business of getting down and having fun. 

There's more. Beyond The Wizard's Sleeve, Richard Norris and Erol Alkan, are back in the remix game. Their seven minute re- animation of Fat White Family's Bullet Of Dignity is one of the best records of 2024 (vinyl edition limited to 300 copies out now). They've reworked Hardway Bros and Beth, cutting this item of clothing from very similar cloth, a piece of clothing that probably needs to be wrung out and hung up to dry- the Beyond The Wizard's Sleeve Re- Animation of Murky is eight minutes of squelchy synths, insistent rhythms, bongos, sci fi sounds, non- stop propulsion and bounce with Beth chanting away on top. Magical stuff. 

There's a stripped back Coral Way Dub too, named after a street near Miami Beach. All three versions are available digitally at Bandcamp for a few pounds. 

Back to Fat White Family- the Bullet Of Dignity 12" comes with an Acid Arab remix on the flipside, Lias and the boys reduced to a pared down groove, low slung and bottom heavy, Lias' voice joined by a Middle Eastern pipe, a snake charmer wrapped round the lyrics, 'You say you're just thirty one/ what's that in cannibal years/ You'll be the laziest one/ Since words came in pairs'.. 


Coming from a similar start point and heading in a vaguely similar direction are a pair of new remixes of A Mountain Of One. AMOO's album Stars Planets Dust Me was of my favourite releases of 2022 and these remixes add a further twist to the sun-baked, cosmic beauty of the original record. Damian Harris/ Midfield General's Generalisation Dub of Surrender has writhing bass, ticking snare and hi hat, phased vocals, and eventually house piano, and feels like the heat rising from the tarmac in the evening at the end of a hot day. 


It comes with a Jonny Rock remix of Make My Love Grow, frazzled, shattered, broken down dub. You can buy both here



Monday 1 July 2024

Monday's Long Song

Last Monday's long song, the DFA remix of Le Tigre, was a little on the short side, clocking in at just over six minutes. To atone for this today we have a twelve minute epic, from DFA main man James Murphy's headline outfit LCD Soundsystem. I could probably run LCD Soundsystem/ DFA songs in the Monday slot all summer without running out of either tunes or inspiration.

In the first decade of the 21st century LCD Soundsystem re- wired dance music, Murphy taking his influences- The Fall, Talking Heads, Bowie, Can- and infusing them with dance and electronic music. Their first single, Losing My Edge, was one of 2002's best, a still astonishing seven minutes. In 2006 Murphy made 45: 33, a 'conceptual jogging soundtrack', commissioned by a major US sportswear manufacturer (Nike), and some of that piece of music became 2008's Someone Great, one of the standouts from Sound Of Silver, an album that is as good as any released in the 21st century. In 2007 45: 33 came out as a CD single with three Sound Of Silver B- sides including this one...

Freak Out/ Starry Eyes

Twelve minutes of limitless ambition, drums and bass, percussion, choral vocals, horns, groove- the first half is like a New York version of Screamadelica, amped up soul and slo mo dance music crossed with cosmische synthlines. The voices chant, 'If we do it again/ I'm gonna freak out/ So do it again', a phrase that reverberates long after the song has finished. At six minutes forty five there's a drum solo- a full minute and a half long, rolling round the kit drum solo- and then the second half begins, Starry Eyes. Wired keys and synths, Tom Tom Club style lyrics and vox and another chant, 'Starry eyes/ doot doot'. It's ridiculously, effortlessly, confidently cool, the sound of a band in complete control in the studio, a B-side that eclipses many band's  A-sides. 

LCD Soundsystem played Glastonbury on Friday, an early evening set on the Pyramid Stage. They were very, very good indeed. It's on the iPlayer for the next thirty days (if you're in the UK).