Forty Minutes Of Richard Norris And Friends

Richard Norris has a prodigious work rate, a seemingly endless source of musical creativity and productivity. This year alone he has continued his monthly deep listening Music For Healing series (a pair of twenty minute ambient pieces released on the 1st of the month, themed for 2026 around patterns), release a double album of remixes, a solo album inspired by Super 8 home movie footage, an album with Lol Hammond as Moon Dust, an ambient album with Mark Barrott (Nocturnes Vol. 1) and a track released on Martin Luther King Day in January called The Corn Is Coming. There are still two and a half months of 2026 to go- there could be much more to come. 

This is a forty minute mix, a selection of tracks from some of those releases, that starts out ambient and picks up the pace into dub and Balearic areas. If you aren't already a member, his monthly subscription means that most of this music drops into your digital world throughout the year and often comes through your letterbox as well in physical formats. You can find all of this and more at Richard's Bandcamp. 

Forty Minutes Of Richard Norris in 2026

• Richard Norris: River's Song
• Richard Norris: Nocturne No. 6
• Moon Dust: Scarlet Traces
• Moon Dust: Wide Open Space
• Katy J Pearson: Willow's Song (Richard Norris Ritual Mix)
• Gulp: Wildflower (Richard Norris Remix)
• Hollow Hand: Before Tomorrow (Richard Norris Avalon Remix)
• Warpaint: Disco// Very (Richard Norris Remix)

River's Song  came out as a single back in May ahead of the 8mm album, a wobbly and affecting piece of hauntology, inspired by 8mm cine camera films and home movie footage from the pre- digital era. River's Song sounds exactly like watching a flickering film of kids playing in the summer sun, the film clicking as it whirrs round and the past flashing by. Nocturne No. 6 is also from 8mm, a piano piece that uses a different piece of film to spark the music. 8mm is here. 

Moon Dust is Richard and Lol Hammond (Spiral Tribe, The Drum Club). Their album Memories, Dreams, Reflections comes from a similar place as 8mm, thirteen largely piano- led tracks that fall somewhere between ambient, neo- classical and soundtracks. Scarlet Traces is a slow mo, melodic synths and keys track. Wide Open Space is gentle drones, sci fi/ cosmische ambient. You can find Moon Dust's album here. 

Richard's remix work is legendary and cherry picking to compile the highlights onto one album must have been a headache. The remixes on Re- Make: Re- Model go back over a decade with twelve on the vinyl edition and nineteen on CD and download. Narrowing it down to just four remixes for this mix was a problem in itself. The ones I didn't include but easily could have take in Mark Peters and Dot Allison, Pale Blue Eyes, Jagwar Ma, Joe Goddard, Saint Etienne, A Mountain Of One and Andy Bell and there are plenty more as well as those. Re- Make: Remodel is here. 

Richard's dubbed out remix of Katy J Pearson's version of Willow's Song is originally from 2023, a remix of a cover of Paul Giovanni's song from The Wicker Man film, a celebration of the summer solstice, disappearing policemen and pagan goings on. There's a bit of a collision as that track segues into the next one, all my fault I'm afraid.

Gulp are Super Furry Animals Guto Pryce and Lindsey Leven whose album Beneath Strawberry Moons came out last year with Richard's remix on a 12" of Wildflower. Psychedelic folk transported into Balearic- psyche. 

Hollow Hand are from Brighton, a three piece that also play as Caitlin Rose's house band. 60s pop/ indie folk and country rock. Richard re- models them in shimmering  dubby/ folky/ electronic style.

Warpaint's Disco// Very came out in 2014, a track from their self titled 2014 album. Richard's remix is a seven minute floor shaker- I played it at The Golden Lion earlier this year and it hit the late Saturday afternoon/ early evening spot very nicely.

Wildflower Glow

Richard Norris has a work ethic second to none, continually creating and producing new music. His latest venture- Moon Dust - is a project with Lol Hammond (of The Drum Club and Slab) and their sole release so far is a three track EP, a trio of versions of a track called The Glow. On the main version Lol plays piano and Richard produces, applying filters, sounds and layers of ambience. It's very much part of Richard's exploration of Deep Listening and ambient sounds, a furrow he's been ploughing for several years now. The two further versions are self explanatory and add more ambience and beauty to something already rather lovely- the Ambient Mix adds a warm drone as a backdrop and halves the piano while the Slowed + Reverb Mix drops an octave or two, slows it right down and adds acres of spacey reverb. Find The Glow at Bandcamp. 

Gulp are a Welsh two piece, Guto Pryce (a Super Furry Animal) and Lindsey Leven. Richard has remixed their single Wildflower, the duo's psychedelic folk pop repurposed as an Ibizan sundown moment, Balearic beats and bouncy bass, lovely piano chords, horns and Lindsay's vocal re- imagined as classic Balearica, everything coming together like peak A Man Called Adam. The EP with original, remix, instrumental and a Ben Chatwin mix is here. 

Back in 2018 Richard remixed Gulp's Morning Velvet Sky, a throbbing electronic disco folk extravaganza. The dub is a supercharged, percussive, repetitive delight. 

Morning Velvet Sky (Richard Norris Dub)

Let's Dance

I had a post about Richard Norris planned (semi-planned and half written in my head) about how I didn't expect that he would be tagged, to date, 37 times in posts here and how without realising it he is a Zelig-like figure in my record collection (and cd and mp3 collection). He appears throughout from writing for the NME in the late 80s to the the Jack The Tab album with Genesis P. Orridge in 1987, his output in the 90s with Dave Ball as The Grid, the songs he did with Joe Strummer as The Mescaleros started out, his music as one half of Beyond The Wizard's Sleeve with Erol Alkan, his solo stuff as The Time And Space Machine from around the time this blog started in 2010, his much more recent releases as Circle Sky and a multitude of remixes from way back then to now.

I got in from work last night to find Richard is sharing various unreleased tracks from his vaults starting with this one from four years ago called Let's Dance (not that Let's Dance). Free download for a limited time. A thumping, analogue acid house banger.



It was this track spinning on my car's cd player on Thursday morning that started the original post being written in my head, a remix of Gulp and a piece of space-disco so perfect it could convince you higher life forms were involved in its production.

Morning Velvet Sky (Richard Norris Remix)

And while I'm here Gulp's album All Best Wishes is a beauty, an album from this year that I keep coming back to. Gulp would easily fit in on a bill alongside Jane Weaver and Cavern of Anti-Matter for a really good night out. Silver Tides is the album's closer and is sublime.

All Good Wishes

One of my most played 12" singles from last year was Morning Velvet Sky by Gulp, a Cardiff based group comprising Guto (from Super Furry Animals) and Lindsey Leven plus guitarist Gid Goundrey. The single came with an excellent space-disco remix from Richard Norris as well as the original version. A couple of days ago Drew pointed me towards their new album All Good Wishes, which came out at the start of the month and is packed with 60s psych influenced songs, some of that strange folk tinged stuff and some progressive, cosmiche exploration. So now I have another album that I need to buy. Thanks Drew.

Morning Velvet Sky Drive

Two new Richard Norris remixes for your enjoyment at the start of the week. There's a lot of new stuff out at the moment, from all over the place and a multitude of sources. It's difficult to keep up.

This one is a new version of Morning Velvet Sky by Gulp, one that has gone down a storm recently with punters at A Love From Outer Space. Pulsing synth bass, echo on the drums, and then joined by a spaced out, slightly folky vocal. Blissful. Gulp contain one Super Furry Animal (Guto Pryce).

And this one is Richard's remix of Drive by Halina Rice, a London based producer. It picks up where the previous one started/left off- whooshing synths, electronic arpeggios, Halina's choral vocals and some space age flamboyance. Magical stuff.