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Showing posts with label john lurie. Show all posts
Showing posts with label john lurie. Show all posts

Sunday, 14 December 2025

Fifty Minutes Of Soundtrack Saturday


2025's year long Saturday series Soundtrack Saturday has reached the final reel but before the credits roll it seemed that a Sunday mix of various songs and scores from the various film soundtracks I've written about would make a good Sunday mix. This is the result, seventeen tracks from sixteen films, sequenced with something approaching a narrative arc- it starts out in the desert with Harry Dean Stanton tramping round the dust, stays out west for while and then shifts to Tokyo, sleeplessness and jet lag. We jump around some other locations- Long Island, France, Memphis- and have visions of a post- apocalyptic USA before the climax, a death, some levity and then Rutger Hauer in the rain. 

The photo at the top is of Stretford Essoldo, a former cinema just up the road from me, a beautiful 1930s building that has been sadly empty and unused for decades. 

Fifty Minutes Of Soundtrack Saturday

  • Ry Cooder: Cancion Mixteca
  • Ennio Morricone: Watch Chimes
  • Bob Dylan: Billy 7
  • Joe Strummer: Tennessee Rain
  • Tom Waits: Jockey Full Of Bourbon
  • Kevin Shields: Intro- Tokyo
  • Kevin Shields: City Girl
  • Mick Jones: Long Island
  • David Holmes: I Think You Flooded It
  • John Lurie: Tuesday Night In Memphis
  • Gabriel Yared: 37 Degrees 2 Le Matin
  • Nick Cave and Warren Ellis: The Road
  • John Barry: Theme From Midnight Cowboy
  • Brian Eno: Deep Blue Day
  • Son House: Death Letter Blues
  • B.J. Thomas: Raindrops Keep Falling On My Head
  • Vangelis: Tears In Rain

Cancion Mixteca is from Paris, Texas, Wim Wenders' 1984 film, a Ry Cooder soundtrack with some dialogue from the film that stands up as an album in its own right.  

Watch Chimes is from Sergio Leone's For A Few Dollars More, the second installment of the Dollars trilogy, released in 1967. 

Billy is from Pat Garrett And Billy The Kid, Sam Peckinpah's 1973 Western, Bob Dylan contributing the soundtrack and appearing in the film. 

Joe Strummer did the soundtrack for Walker, Alex Cox's 1987 Western- one of Joe's best 'wilderness years' songs. 

A Jockey Full Of Bourbon appears in Down By Law, Jim Jarmusch's 1986 film- Tom Waits is one of the three stars of the film as well as being a key part of the soundtrack. 

Intro- Tokyo and City Girl are from Lost In Translation, Sofia Coppola's 2003 film, Bill Murray and Scarlett Johansson lost in Tokyo. 

Mick Jones provided three tracks for the 1993 film Amongst Friends- Long Island is the most complete, a Jones solo song. 

I Think You Flooded It is from Out Of Sight, the first of many David Holmes- Steven Soderbergh soundtrack collaborations, released in 1998. 

John Lurie's score for Mystery Train had to compete with some big hitters- Elvis' Mystery Train for one, Roy Orbison's Domino for another. A second Jim Jarmusch film in this mix- the use of music is central to Jarmusch's films. 

Gabriel Yared's guitar playing is from the soundtrack to Betty Blue, another late 80s film that made a deep impression on me- Beatrice Dalle made quite an impression too. 

Nick Cave and Warren Ellis' soundtrack work spans all sorts of movies and documentaries. They began with the soundtrack to 2009 film The Road, a harrowing version of Cormac McCarthy's equally harrowing novel. 

Theme From Midnight Cowboy is gorgeous, a John Barry highpoint from a composer who recorded dozens of soundtracks. That harmonica. Stunning. 

Brian Eno's soundtrack work is wide and varied and an Eno only soundtrack mix would definitely work- Deep Blue Day is from the 1996 film Trainspotting but originally on Another Green World, Eno's 1975 album. 

Son House's Death Letter Blues is from 1965, just Son and a metal bodied resonator guitar. It's a stunning song and performance, Son's lyrics and performance can chill to the bone. It appeared on the soundtrack to On The Road, the  2012 version of Jack Kerouac's novel. 

B.J. Thomas' Raindrops Keep falling On My Head was a worldwide smash following its appearance in the 1969 film Butch Cassady And The Sundance Kid. The song is probably what the film is best known for, along with the two stars- Robert Redford and Paul Newman- and the famous shoot out ending. 

At the end of Blade Runner, Ridley Scott's 1982 sci fi/ film noir version of Philip K. Dick's novel Do Androids Dream Of Electric Sheep?, Rutger Hauer sits on top of a crumbling building in the rain, holding a dove and improvises a farewell speech as Harrison Ford slumps in front of him, his life saved. 'All these moments will be lost in time', Hauer says as Vangelis' synth score plays. But they're not are they- they replay endlessly, equally moving each time. 


Saturday, 23 August 2025

Soundtrack Saturday

It would have been Joe Strummer's 73rd birthday two days ago, 20th August, had he lived. As a Strummer birthday soundtrack here's some songs from Mystery Train, the 1989 film that Joe starred in. Mystery Train was directed by the great Jim Jarmusch and is a triptych of stories that come together at the end, all centred around a hotel in Memphis where Screamin' Jay Hawkins is the night clerk. The first story features a Japanese couple on a pilgrimage to the birthplace of rock 'n' roll, played by Youki Kudoh and Masatoshi Nagase. The second is about an Italian widow stuck in Memphis overnight (played by Nicoletta Brashci) and the third is about a recently unemployed and single Englishman (Joe obvs) and his two friends played by Steve Buscemi and Rick Aviles. It's a charming and beautifully shot film, downtown America, funny and with well drawn characters. I have a friend who holds the opinion that Strummer's acting ruins Mystery Train but I'm giving Joe the benefit of the doubt.

The songs on the soundtrack are mostly 50s rock 'n' roll- Elvis' song, the film's title track, is central, one of the foundation stones of rock 'n' roll. Blue Moon is played many times too, in the hotel's foyer through the night. The chug of the guitars and the drums evoke that long black train rattling through the night. 

Mystery Train

Mystery Train was written and recorded by Junior Parker in 1953, a slower, more bluesy take. 

Mystery Train

Roy Orbison turns up to with Domino (later covered by The Cramps).

Domino

On the soundtrack album the second half is from the score, written and played by John Lurie, who worked with Jarmusch on Down By Law and Stranger Than Paradise and also Paris, Texas. The eight instrumentals on the soundtrack are all 50s/ 60s inspired rockabilly guitar- led instrumentals and all are good to work away from the film as well as on its soundtrack.

Mystery Train (Suite)

Tuesday Night In Memphis

Happy birthday Joe.