Fifty Five Minutes Of Bedford Falls Players

Apparently it's Sunday. It's difficult to tell what day it is at this time of year at the best of times, the period between Christmas and New Year, but it's been even harder this year. On Christmas Eve night I came with norovirus (I think) and have been wiped out ever since. I'll spare you the details but I was out of action all through the Christmas period. Lots of lovely food and drink in the kitchen and I've been on bread, water and rice. I can't remember the last time I had such an alcohol free Christmas but it would have been in the mid- 1980s. 

Today's Sunday mix features the work of Bedford Falls Players aka Mark Cooper. It's fitting for this time of year, if a week or two late, because the town of Bedford Falls is the fictional setting for It's A Wonderful Life, the Christmas film everyone goes to at some point. Also, deeply shamefully and embarrassingly, BFP have released at least three great tracks this year and I missed all of them out of my end of year list last week, an oversight for which I can only apologise. In any sane 2024 list the tracks Agent Cooper Coffee Dreams, Beautiful Chaos and Cosmic Cascade would all feature strongly. 

Bedford Falls Players music is giddy and effervescent, the spirit of late 80s and 90s dance music filtered through dub and techno with a real life affirming quality, a bounce and musicality that makes it  ajoy to listen to. Mark's remixes of other people, three contained below, are always outstanding too. In fact, his remixes of Matt Gunn's Learning Through Loops was one of my favourite tracks of 2023 so how I missed his music from this year's list is beyond me. All of the BFP back catalogue can be bought at Bandcamp. 

Fifty Five Minutes Of Bedford Falls Players

• Marmite Marimba
• Railton Ruckus (BFP Remix)
• Boatface (BFP Remix)
• Agent Cooper Coffee Dreams
• Learning Through Loops (BFP Remix)
• Cosmic Cascade
• Beautiful Chaos (Dub Mix)

Marmite Marimba is from the Three EP, a 2023 release. It starts out buzzing, like a machine glitching, and then the marimba melodies start to pick away on top. It rises and falls, rises and falls, stuttering bass and keys sliding in and out, crunching drums piling in, repeating itself but always shifting too. Lovely stuff. The BFP remix of Matt Gunn's Learning Through Loops is from the same EP. Almost exactly a year ago I said this about it- 'a gorgeous Balearic tune with squelchy bass, chuggy drums and a guitar part that sounds like something John Squire put down on tape at Battery Studios back in early 1989 when recording the Stone Roses debut lp and then never used. Over the top of this Mark has laid a vocal sample taken from TV, a voice talking about sound waves, binary problems in quantum systems, core computers, voodoo, 'shit like this', hidden variables, time travel, determinism, party tricks and the voice of Jesus. It's been played constantly round here, one of my favourite tracks of 2023, and you should all get on it'. I have no reason to change any of that one year later. 

Railton Ruckus is by Rude Audio, one of several remix exchanges between the two parties. Railton Road is/ was the front line in Brixton and was the title track of a 2021 Rude Audio EP. The BFP signature sounds, marimbas and percussion carrying the melodies working their way through it and then everything dropping out for dub space and timbales, Weatherall and Nicolson style c.1991. 

Boatface is by Duncan Gray from 2022. The BFP remix is a wonky Buzz Aldrin and the Beastie Boys sampling joy that could go on twice as long and not be too long. 

Agent Cooper Coffee Dreams came out earlier this year, Kyle MacLachlan goes cosmic disco, some Twin Peaks chords and a rattling drum machine. 

Cosmic Cascade is also from 2024, a nine minute ride into the cosmos with chunky drums, wobbly bass and twinkling, interstellar keys and synths. 

Beautiful Chaos (Dub Mix) came out in March '24, a tune that builds and builds, piano, keys, acid squiggles, washes of synth and more of those twinkling synths Mark does so well. The drop out at five minutes, sampled voice and then bass re- entry is worth the price of admission alone. It is stratospherically good and clearly should have been in my singles of 2024 list, somewhere towards the top end. My bad, as they say.