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Showing posts with label dennis hopper. Show all posts
Showing posts with label dennis hopper. Show all posts

Thursday, 25 June 2026

The Mountain

Gorillaz released their ninth album back in February, a fifteen song set called The Mountain. It's a concept album, like all Gorillaz albums are, but this one's about death and grief and the question of what happens next. The two human mainstays of Gorillaz, Jamie Hewlett and Damon Albarn, lost their dads within a week of each other while they were in India working on the album. Damon wanted to include Indian singers and musicians- Asha Bhosle (who has since died) appears along with Asha Puthli and Anoushka Shankar. Some of the album was recorded in Mumbai, Rishikesh and Jaipur and the Indian strings and classical instruments are all over the album and very affecting. 

The album was also recorded in London and Florida and there's a slew of guests with Johnny Marr playing on several songs and Idles and Sparks turning up. Once Damon started writing the album it struck him that if the songs were about death and loss, then some of the vocals should be provided by previous Gorillaz guests who had since died. He went back to the tapes and found vocals that hadn't been used on earlier songs, vocals by Mark E. Smith, Dennis Hopper, Trugoy The Dove and Bobby Womack. (Damon didn't get all the deceased contributions he wanted- Lou Reed's estate denied permission, Lou's dying wish was that there be no posthumous releases, Terry Hall's vocals had been wiped and MF Doom's had already been used elsewhere by Danger Mouse). Tony Allen appears as does rapper Proof. All these dead guests found their way into new songs, the voices reincarnated into new songs. 

It's supposed to be heard as a single album, a full piece rather than cut up into digestible chunks to backdrop perpetual doom scrolling. Like all Gorillaz albums, some of it hits and some doesn't. At times Damon's electro- pop smothers the Indian instruments and there's a lot of stuff going on- as ever in Gorillaz world there's a lot of content. But there are several songs that are very good and rather affecting. The opener, The Mountain, is based on an Indian folk song Albarn heard at Rajasthan and reworked with the Hindu Jea Band Jaipur in Jaipur. It's a lovely song, the Indian melodies and instruments doing their thing with Dennis Hopper's voice in there too. This eight minute cartoon segues The Mountain with The Moon Cave (with Bobby Womack and De La Soul's Trugoy) and album closer The Sad God and is a good snapshot of the album. The animation is a joy too, Murdoc, Noodles, 2D and Russel in Disney Jungle Book style.

Last weekend Gorillaz played some stadium gigs in London. This photo turned up on Johnny Marr's social media him and Paul Simonon on stage together, side by side on guitar and bass. A dream guitar- bass combo. 

Johnny and Paul appear on one song on the album together too, Casablanca. It doesn't sound much like either man's former bands, with little trace of either The Smiths or The Clash in it. Johnny's way with a chord sequence is right there though among Damon's electro-pop and enervated vocal, the drum machine pushing away and a choir of voices ascending. Along with a few of the other songs on The Mountain, there's something about it that I find quite moving. 

Casablanca

Saturday, 28 June 2025

Soundtrack Saturday

Back in February as part of my Soundtrack Saturday series I wrote abut Joe Strummer and his songs for the soundtrack to the Alex Cox film Walker. Joe's soundtrack work in the 80s and 90s requires further posts- both Sid And Nancy and Permanent Record benefited from bespoke Strummer solo songs and Joe contributed to other soundtracks too, Grosse Pointe Blank in 1997 and Black Hawk Down in 2001. 

But today's post isn't a Joe Strummer post, it's a Mick Jones post. Coincidentally, Mick celebrated his 70th birthday this week, two days on 26th June- belated happy birthday Mick! 

After splitting from The Clash in 1983 Mick formed Big Audio Dynamite and Mick's love of film formed a big part of the B.A.D. sound and world- the Spaghetti Western samples in Medicine Show and the entire lyric to E = MC2 was a tribute to director Nic Roeg (see my post about Performance also from February this year). Don Letts and Mick Jones were film obsessives and film references pepper the B.A.D. back catalogue. 

In 1990 the original Big Audio Dynamite line up of Mick, Don, Dan Donovan, Leo Williams and Greg Dread recorded their final song together, Free, for the soundtrack of a film called Flashback. I've seen Flashback, we rented it on VHS at some point on an evening with nothing to do in 1990. Flashback was directed by Frank Amurri and stars Dennis Hopper and Kiefer Sutherland. Hopper is a 60s anarchist/ hippie who has been on the run for twenty years, accused of disconnecting Republican Vice President Spiro Agnew's train carriage. Kiefer Sutherland plays an FBI agent who has apprehended Hopper and has to take him back across the USA for trial. It's an action/ adventure/ comedy. As the unlikely duo make their way back to Washington it becomes clear that Sutherland's FBI agent character was raised in a hippy commune and used to go under the name Free. Hopper is partly playing a reprisal of his character from Easy Rider but two decades down the line- I've only seen the film once and it seemed entertaining enough at the time and if anyone can play a 60s survivor with a screw loose in 1990 it's Dennis Hopper. 

B.A.D.'s song Free was only available on the soundtrack to the film (until it appeared on a CD compilation called Planet B.A.D. in 1995). There are two versions...

Free (Club Mix)

The Club Mix is seven minutes long and filled with acid house enthusiasm, a sampled voice opening the track saying, 'it should be kickin' in about now. Synths, big 1990 Italo piano chords, stuttering voices, and then Mick's vocal. The Club Mix spirals on and on, more samples from the film, more synths and acid house and then Hopper's character Huey saying, 'once we get out of the 80s the 90s are gonna make the 60s look like the 50s'. 

Free (LP Version)

Free was a Jones/ Dan Donovan co- write. The LP Version is more song based, with extra verses and more flow. 

Flashback's soundtrack contained a mix of 60s legends and late 80s/ dawn of the 90s artists- Edie Brickell and R.E.M. rub shoulders with Bob Dylan and Jimi Hendrix, Flesh For Lulu with Jefferson Airplane, Canned Heat and Steppenwolf. Dylan's version of People Get Ready, a Curtis Mayfield cover, hasn't appeared anywhere else. The film (but not the soundtrack) contained a two more Big Audio Dynamite songs- The Bottom Line and C'Mon Every Beatbox. 

The Bottom Line is one of Mick Jones' best songs, one of B.A.D.'s best. It was remixed for the film, Mick's melody and invention remaining intact but in truth its not the equal of the 1985 version, the 12" mix being the definitive take of the song. 

The Bottom Line (Film & Club Version)

After the original B.A.D. line up split, Mick carried on recruiting a new band and renaming them B.A.D. II. They re- recorded Free as Kickin' In for their Kool Aid album which was later reworked and re- released as The Globe. I think Mick was making it up as he went along at this point. Dan left shortly after. B.A.D. II have some really good moments- The Globe's title track for one, Rush for another. 

In 1993 Mick and B.A.D. found their way onto the soundtrack to a film called Amongst Friends, a low budget New Jersey mobster/ friendship film directed by Rob Weiss. But that's a story for another Saturday. 

Friday, 27 December 2019

Expressway


There's an album of acoustic guitar cover versions of Sonic Youth songs, all texture and ambience and small hours vibes, by Belgian artist Wixel. It came out back in 2008 and lives on in Wixel's Bandcamp page (Wixel doesn't seem to have released anything since 2013). Welsh outfit The Long Champs have taken Wixel's cover of Expressway To Yr Skull and blissed it out, turning it into a gorgeous, shimmering, meditative haze, perfect for this time of the year. I can't recommend this highly enough, it's sublime. If you move quickly- and I appreciate moving quickly two days after Christmas may be relative- there's a free download.



Wixel's cover versions are worth some of your time too.

Friday, 22 November 2019

Deep Rave Memory


This is out today, new from Richard Fearless, an eight track album under his own name. If the title track is anything to go by it promises to be a techno- soul classic, 303s and whipcrack snares, melodic toplines, dark spiralling synths and kosmiche expansion. The title alone is a gift. Twelve minutes of twisting, laser light brilliance.