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Showing posts with label mc buzz b. Show all posts
Showing posts with label mc buzz b. Show all posts

Sunday, 20 September 2026

Half An Hour Of Lost Baggy

In 2015 Jon Savage put together a compilation called Perfect Motion- A Secret History Of Second Wave Psychedelia 1988- 1993. Jon pulled together the threads of guitar bands, rave outfits and pop groups who were creating a new wave of psychedelia, not a definitive survey but a snapshot. It very much chimed with my record collection with several Andrew Weatherall tracks, a backwards Stone Roses B-side, songs by The High and Shack, Dee Lite, Electronic, 808 State and Saint Etienne plus Joi, DHS, Northside and a bonkers Pet Shop Boys B-side.

In 2023 the label that released Perfect Motion, Caroline True Records, released a cassette only follow up, limited to just 100 copies, called Never Change- Baggy The Lost Tracks 1988- 1993. I never liked baggy as a descriptor but it's one that's was widely used at the time and has stuck. 

The cassette had an hour of music over two sides of a C60, sixteen songs sequenced together by John K with some extras spliced and mixed in (Loaded's famous sample from The Wild Angles opens up Side A). Some of them are fairly well known- World Of Twist, Stereo MCs and A Guy Called Gerald are all on Side A while Primal Scream and The Stone Roses are on Side B but there are also some very less well known artists and songs on the tape so Lost Tracks is a pretty accurate description. This is an uptempo stew of indie guitars, funky backbeats, a Rolling Stones cover, sampling, Hare Krishna chanting, acid house, Mancunian rap and Bruce Hornsby. 

Never Change Side A

  • Sinister Groove: Perfect Person
  • World Of Twist: She's A Rainbow
  • The Apples: Eye Wonder
  • Stereo MCs: What Is Soul?
  • MC Buzz B: Never Change
  • Joi Bangla Sound: Taj Ma House
  • Baby Ford: I Love It
  • A Guy Called Gerald: Hot Lemonade
  • Sunsonic: Driveaway

Sinister Groove released a four track EP in 1991 on 12" vinyl. One of those very much lesser known EPs from the time. The band were previously known as Bounce The Mouse but sensibly changed the name (not that it made them any better known). Perfect Person is the second song on the EP, a perfectly pitched piece of 1991 guitar pop, funky drummer drums, chiming guitars and a northern sounding vocal. As far as I know they released nothing else. 

World Of Twist were an amazing band who released one album, Quality Street, that wrapped up indie, guitars, Northern Soul, northern psychedelia and a love of kitsch in one package. Their cover of The Stones She's A Rainbow was released, re- released, remixed and promoted in search of a hit. They split a few years later having promised much. 

The Apples were an indie dance band from Edinburgh who released Eye Wonder in 1991. Other than that, I know nothing. 

Stereo MCs would make it big supporting/ blowing the Happy Mondays off stage every night in 1992 and then crossing over with Connected. Before that they had two albums, Supernatural in 1990 and 33- 45- 78 in 1989 from which What Is Soul? is from. In 1989 they constructed their tracks from scratch, sampling records onto tape, pressing pause, winding the record back and letting it go again. Painstaking. Sample spotting fun- Eno and Byrne, Ben E. King, Van McCoy...

MC Buzz B (Shorn Braithwaite) was a rapper from Hulme, from a time when UK hip hop was very undeveloped. Never Change makes liberal use of Bruce Hornsby's That's The Way It Is and showcases Buzz B's positivity and inventiveness. Never Change is from the album Words Escape Me. 

Joi Bangla Sound were a DJ/ production duo, Farook and Haroon Shamsher, from Bradford. They took the sounds from their Bangladeshi upbringing and mashed them together with late 80s street sounds- house, sampling, rap- and released Taj Ma House as a white label in 1988. Desert Storm was NME single of the week in 1992 when that accolade meant something and they performed at WOMAD and signed to Peter Gabriel's label. They became festival regulars and played thousands of gigs in the 90s. Haroon died suddenly and unexpectedly in 1999 and Farook has since continued alone. 

Baby Ford is a UK acid house original, releasing singles including Oochy Koochy, Children Of The Revolution and Beach Bump. I Love It is from 1989 on the label of the day Rhythm King and the album Ford Trax. 

A Guy Called Gerald. You know who Gerald is. Co- writer of 808 State's Pacific State. Voodoo Ray. Emotions Electric. Some of the best and most important UK house singles of all time. Hot Lemonade was recorded in Manchester in 1989 and missed out on the kudos it deserved in that year's run of records that captured people's attention. 

Sunsonic were previously indie band The Flowerpot Men who left guitars for electronics in 1989 and made three singles and an album in 1990/ 1991. Driveaway was the third/ last. Their first single Kind Of Loving (1990) has a B- side called Innocent Man which is a lost ambient classic (but that's a different tape/ mix/ album entirely). 





Sunday, 21 May 2023

Forty Minutes Of Justin Robertson Remixes

A few of Justin Robertson's early 90s remixes today, chunky beats and tempos, samples and trumpets- lots of trumpets- and indie bands transformed into dancefloor monsters. Ideal for the spring sunshine that has finally arrived this weekend in this part of the world. 

Forty Minutes Of Justin Robertson Remixes

  • The Sugarcubes: Birthday (Justin Robertson 12" Mix)
  • The Stone Roses: Waterfall (Justin Robertson's Mix)
  • Bjork: Big Time Sensuality (Justin Robertson Lionrock Wigout) 
  • Lionrock: Packet Of Peace (No More Fucking Trumpets)
  • Yargo: The Love Revolution (Justin Robertson's Scream Team Remix)
  • Inspiral Carpets: Caravan (No Windscreen Mix)

Justin's remix of Birthday by The Sugarcubes turns singular Icelandic post- punk oddness into seven minutes of dub loveliness. Released on vinyl in 1992 along with remixes from Jim and William Reid and Tommy D.

I was of the opinion once that remixes of songs by The Stone Roses were totally unnecessary. I've come round to some of them, not least this remix of Waterfall, Reni's drums replaced by a skippy drumbeat, some echo- laden cymbal splashes and Ian's voice sitting above the music with John's guitar drizzled on top.

Big Time Sensuality was inescapable in 1993, not least in Manchester's clubs and bars, and enjoyed every time. I met my wife on the dancefloor at Paradise Factory dancing to it. Justin's remix, in his Lionrock guise, was a big hitter too, a slo- mo groove, with those massive trumpets and Bjork's barely contained sense of gleeful abandon.

Justin, Mark Stagg and rapper MC Buzz B were Lionrock. Packet Of Peace was their 1993 12". The remix here is Justin's own Lionrock remix of Lionrock and clearly by the title,  he'd had enough of his signature trumpet sound by this point. I can keep enjoying those trumpets ad infinitum.

Yargo were Manchester's best kept secret, an urban funk/ soul/ blues group graced by the honeyed voice of Basil Clarke who are probably best known for their song of the same name being the title music to Tony Wilson's Other Side Of Midnight, a semi- legendary music programme from the late 80s (which The Stone Roses appeared on, playing Waterfall- see above). The Love Revolution came out as a 12" in 1990 with co- vocals by guest singer Zoe Griffin and samples the drums from Fool's Gold. Yargo's 1987 album Bodybeat is something of a lost classic. The follow up, 1989's Communicate, didn't manage to crossover outside Manchester but is (again,) one of the period's lost gems. As is this remix

I posted this Justin Robertson remix of Inspiral Carpets a couple of weeks ago, a 1991 acid house banger complete with the 'you play consciousness expanding material' vocal sample and general '91 madness. A numbered 12" vinyl release in a run of 10, 000. 10, 000!


Thursday, 23 March 2023

Lionrocking

Monday's posting of Saturday's Angels by If? and the mention of the Lionrock remix of that song clearly worked some kind of magic on my in- car mp3 player (or it was merely coincidence, you decide). Driving home last night Lionrock's 1992 self- titled debut single Lion Rock came up and soundtracked a very enjoyable six and a half minute section of my drive home. 

Lion Rock 

Lionrock was the name of Justin Robertson's 90s outfit, a group which started out very much in the progressive house area and then as the decade went on moved into ska and Big Beat. Joining Justin in Lionrock were MC Buzz B (Mancunian rapper Sean Braithwaite) and Mark Stagg (who was then replaced in 1995 by Roger Lyons). The track Lion Rock set out their signature sound, Justin Robertson's trusty horns, a thumping kick drum and occasional interruptions by tumbling timbales. 

They followed Lion Rock with Packet Of Peace, a similarly rushing progressive house thumper but with MC Buzz B vocal, his cool, conscious rap/ poem riding on top of the music- 'I'll leave my mind beneath the mat so you can let yourself in'.

Packet Of Peace (Edit) 

Packet of Peace came with a bunch of remixes. The group's own Lionrock remix, titled No More Fucking Trumpets, opens with a distorted voice intoning 'Lionrock sound system' and then some very '93 synth sounds. The drums kick in, the warm, fat bass starts pumping and we're off on a long old remix adventure, eight minutes of lovely, trancey '93 house. 

Packet Of Peace (No More Fucking Trumpets)

Lionrock were masters of the remix, providing excellent clubby versions of songs by Bjork (Big Time Sensuality), The Shamen (Boss Drum), Transglobal Underground (International Times) and The Grid (Rollercoaster) among others (plus the If? mentioned above). They also took a song from the much derided final Happy Mondays album (Yes Please!) and turned it into Lionrock gold with their remix of Sunshine And Love. But maybe these are all best left for another day.