Unauthorised item in the bagging area
Showing posts with label circle sky. Show all posts
Showing posts with label circle sky. Show all posts

Saturday, 13 June 2026

Oblique Saturdays

A series for Saturdays in 2026 inspired by Brian Eno and Peter Schmidt's set of cards, Oblique Strategies (Over One Hundred Worthwhile Dilemmas). Eno and Schmidt created them to be used to unblock creative impasses and approach problems from unexpected angles. Each week I'll turn over an Oblique Strategy card and post a song or songs inspired by the suggestion. 

Last week's Oblique Strategy suggestion was Emphasise difference.

I responded to this with Iggy Pop's journey from 1973 to 1977, from Death Trip to Lust For Life and with The Clash who went from White Riot in 1976 to Death Is A Star in 1983. 

Someone pointed out this week when commenting on the race riots in Southampton and Belfast that they didn't think this was the kind of White Riot Joe Strummer was talking about which is indeed true. Joe would have been appalled by the rise of far right politics in the UK. But I digress...

The Bagging Area OS squad came up with some great replies emphasising difference- Martin Carthy covering Slade, Nancy Sinatra and Lee Hazlewood's very different voices, Thomas Dolby and Prefab Sprout, Talk Talk, Cindytalk, Rodney Allen's Happy Sad, Paula Abdul and a cartoon cat...


... Elvis, Propaganda, Donny and Marie Osmond, Tonio K, and Boogie Down Productions. Thanks everyone- Chris, Walter, C, Khayem, Ernie, The Swede, Jase, Al G, Rol and Beerfueled as ever for your considered contributions.

This week's card says this- Ghost Echoes.

Just a few days before I turned the card over I finished Patti Smith's memoir Just Kids. It was published in 2010 and I've no idea why I only got a copy recently but I'm glad I did. It's a beautiful, powerful and poetic account of her relationship with Robert Mapplethorpe. Patti promised Robert she'd tell his story as he lay dying from complications due to AIDS. She attempted to do this with The Coral Sea but was often unable to get through a reading of the poem. Twenty years after his death, she felt able to write their story down. Her use of the written word is beautiful, as you might expect- she's a wordsmith if nothing else. The book is gripping, open and honest, with versions of their two childhoods and then their chance encounter in New York. She writes about her move to New York as a nineteen year old, an intense and slightly damaged young woman in love with Arthur Rimbaud, inspired by The Doors and Bob Dylan. Her early life in the city is a life of penury, of living hand to mouth and sometimes sleeping in doorways. Eventually she meets Robert (he rescues her from a predatory middle aged man who has taken her out for a meal and now expects something in return) and they live together as lovers and as artists, a completely bohemian life, inspiring each other. Robert is clearly struggling with his sexuality during this period and eventually they split but remain together. Their move to the Hotel Chelsea and the people they meet there changes both their lives and their relationship and their art. Just Kids tells their story up to the release of Horses, Patti finding her calling as a poet and then merging poetry with rock 'n' roll- and then to Robert's death in 1992. 

The copy I have has extra material at the book, and Robert Mapplethorpe's ghost is present there in photos and drawings, in poems and art. He haunts the pages as he undoubtedly still haunts Patti. In a sense though, in the pages that make up the bulk of the book, the story of Robert and Patti, he is very much alive; she brings him (and a lost world, New York in the late 60s and early 70s) to life. In the book, after speaking to a very ill Robert on the phone in 1992, a conversation she knows will be their last, she wakes up a few hours later and intuits his death.

Land (Part One: Horses Part Two: Land Of A Thousand Dances)

There is no shortage of songs with the word ghost in the title- step up The Gun Club, Andrew Weatherall, The White Stripes and Tegan and Sarah, Fine Yong Cannibals, The Fall and R. Dean Taylor, Daniel Avery, Broken Chanter, The Jam, Reverb Delay, Kristen Hersh, The Orb, Burning Spear, The Replacements, The Vendetta Suite,  Denise Sherwood, Hollie Cook, Trentemoller and The Style Council among others.... on and on we could go. 

This 2019 song from Circle Square though seems the one that has both ghosts and echoes contained within, Richard Norris and Martin Dubka's Ghost In The Machine,  a voice trapped inside a machine, echoing on and out for as long as the machine is plugged in.


Feel free to drop your own Ghost echoes into the comment box. 



Sunday, 21 November 2021

Dream Colour

Richard Norris and Martin Dubka's Circle Sky album has finally seen the light of day, three years on from the release of If I Let Go and Ghost In The Machine, a pair of singles that married their analogue synths with a weirdly almost human voice, some beautiful, light than air melodies and a sense of melancholy. The album, Dream Colour, has that feeling of a future that has been lost, the promise and hope of the 21st century as it looked a few decades ago that hasn't materialised- a future/ present weighed down by environmental collapse, terrorism, fractured societies, loneliness and isolation, plague and technology that presents as many problems as solutions. Somehow though, there's a sense that things might just be ok. 

The title track has the bassline and bounce of 80s house with that female voice singing vague somethings. The voice isn't quite human and isn't quite robotic either- how they've created her/ it, they're not saying. 


Salvation is altogether less physical and more ethereal, floatier, with twinkling synthlines and warm pads, a drifting, gliding piece of electronic music. The album has a cocoon- like feel, something to bathe in while the outside world carries on. There's something of the future of Blade Runner in Dream Colour too, replicants with human emotions that they don't understand yet. I think its an album I'll be coming back to often. 


 



Saturday, 15 May 2021

Holding On

Back in 2018 Circle Sky, the sleek electronic/ sci fi techno vehicle for Richard Norris and Martin Dubka to explore their futuristic dreams, released a single called Ghost In The Machine. It was and is a favourite of mine, tinkling piano at the top end, synth stabs, subtle, pulsing drums, a spectral voice and lots of beautiful repetition- repetition of melodies, of rhythms and vocals. 


Circle Sky also released If I Let Go in the same year and in 2019 Love Hertz, both with some sumptuous remixes from the likes of Ulrich Schnauss, Crooked Man and Michael Mayer. 

Now, as part of Richard Norris' seemingly endless productivity drive in 2020- 2021 and his Inner Mind subscription service we have a new Circle Sky release, Holding On. Similar building blocks, all those elements present- repetition, sweetly sung vocal loops, pitter- pattering drums, bright synth melodies and retro- futurist, happy/ sad, euphoric/ melancholic sheen. The album, titled Dream Colour (a title which sums Circle Sky up perfectly), is out in the summer. 

Saturday, 11 April 2020

Isolation Mix Two


A second Bagging Area mix for lockdown, an hour of tunes starting out ambient, taking a turn toward the Balearics and some fizzing electronics before the jetstream sends it back into more ambient, melancholic lands with waves and seagulls. Having the time and space to think about putting these together is one of the upsides of social distancing and isolation.



Private Mountain: Coming Back Home v Eric Cantona ‘When the seagulls follow the trawler…
Nils Frahm: Over There, It’s Raining
Steven Leggett: Bathhouse
Seahawks: Rainbow Sun
Peaking Lights: Beautiful Dub
Circle Sky: Ghost In The Machine
The Neil Cowley Trio: Echo Nebula (Vessels Remix)
Fila Brazillia: Midnight Friends
Mark Peters: Jacob’s Ladder (Ambient Innerlands Version)
Jan van den Broeke: Memories
A Man Called Adam: Easter Song (Gospel Oak FX)
Bjorn Torske: First Movement

Friday, 15 February 2019

Love Hertz


Out yesterday, the latest from Circle Sky (Richard Norris and Martin Dubka). The two singles they released last year- If I Let Go and Ghost In The Machine- were among my favourites of 2018. This new one looks set to join them and an album is due this year too. Love Hertz is hypnotic, waves of gentle, pitch bending synths, a pulsebeat and synthetic, mildly euphoric vocals from Iris.

Sunday, 2 December 2018

Reading My Mind


Jeez- the previous Circle Sky single (If I Let Go) was a good one, a real 2018 highlight, but they've now given us this one as a follow up. A sublime piece of subtle, emotive, electronic music that reveals a little more each time you click play.




Thursday, 1 November 2018

Feels Like Falling


The first days after the clocks go back always remind me how much I loathe travelling home from work in the dark- and this is just the start of it, there's another six months to go. Grim. So I'll take some snatches and glimpses of light where I can find it. I wrote recently about the new single from Circle Sky (a Richard Norris project), a beautiful low key ambient techno song I eloquently described as 'rather fucking gorgeous'.

The 12" is out imminently with two remixes, one from Ulrich Schnauss who strips it back and finds some little repeating melodies which he sets off against some washes of sound. Eventually a lazy drumbeat joins in. Half way through the vocal comes in, smothered in echo, and everything speeds up a little. Then it slows down and fades. Lovely.



The 12" also has this more insistent remix from Michael Mayer, a more austere techno reworking but the softness of the original track remains.

Tuesday, 16 October 2018

If I Let Go


Too insistent to be ambient (and the bpm count's too high) but pretty dreamy all the same- this is brand new from Circle Sky (a Richard Norris analogue modular synth project). This is low key and rather fucking gorgeous. That's my review.

Wednesday, 18 May 2016

Beyond


Drew and I agreed on Twitter the other night that Beyond The Wizard's Sleeve's own re-animation of their recent single Diagram Girl is a thing of beauty, one of those records that sounds like summer should. Six and a half minutes of wobbly bass, washes of synth, blissed out vox and hazy modern dance-oriented psychedelia. Just wonderful stuff from Richard Norris and Erol Alkan with an album to follow.



If you like that you should go find Richard Norris' other current project, Circle Sky (a duo with Martin Dubka), and a 12" called Reveal/Interstellar, two massive sounding cuts recorded live using the Moog System 55 modular- analogue acid house achieving lift off for 2016. Annoyingly there don't seem to be any full length listens anywhere but these two preview clips give you enough to be going on with.