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Showing posts with label jg ballard. Show all posts
Showing posts with label jg ballard. Show all posts

Wednesday, 28 January 2026

Ti Kallisti

At some point in the next couple of months Jason Boardman's Before I Die label is going to release an album by Hawksmoor called Am I Conscious Now? and I feel fairly confident in saying it will still be around at the end of the year and beyond. There's one track from it available to listen to, Ti Kallisti, at Bandcamp- a gorgeous, low key four minutes of piano, synth, space and echo. There were ten copies of a super limited vinyl version of the album but they've all gone (obvs) but don't worry, it'll be getting a full release soon- ish. 

Exploring Hawksmoor's back catalogue is a joy. In October last year a two track single originally recorded in 2012 appeared on Bandcamp. The A-side is titled Life Aboard The International Space Station, an instrumental that drifts weightlessly for four minutes, acoustic guitar and electric guitar, keys, Mellotron, some bass and a Moog pedal called the Moogerfooger. Some patterns, sequences and refrains, orbiting gently. It's lovely and in dealing with the ISS, constantly circling above us at a speed of 17, 500 mph, revolving round the earth once every ninety minutes and giving the occupants sixteen sunrises and sunsets a day, its somewhat existential too.  

You can listen/ buy the single here

The B- side has a title borrowed from J.G. Ballard, Storm Bird- Storm Dreamer, more finger picked acoustic guitar, more cyclical guitar patterns- there's something quite pastoral about it. It's a bit shy of three minutes long and I'd happily listen to a much longer version. 

Ballard's story is taken from a compendium of science fiction short stories called The Disaster Area, first published in 1967. In Storm Bird- Storm Dreamer giant birds accidentally fed on new hormone fertilisers used in industrial agriculture have started attacking large animals and people. The story's main character Crispin survives a bird attack and then joins a volunteer force to defend the country against the giant birds. He develops a fascination with a woman living in a remote cottage whose husband was killed by a bird, ripped into pieces, which then flew off with their infant son. There's plenty more as you can probably imagine. What this dystopic story has to do with the tranquil, lilting Hawksmoor instrumental of the same name I'm not entirely sure. 

Sunday, 12 January 2020

Ballardian Dreams


Sunday always seems ideal for the long mix, the Sabbath lending itself to the extended DJ mix. Today's is from Richard Fearless and a mix titled Ballardian Dreams. In 1971 JG Ballard said 'Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century'. He also said 'civilised life is based on a huge number of illusions in which we collaborate willingly. The trouble is we forget after a while they are illusions and we are deeply shocked when reality is torn down around us'. Both seem pertinent in some way.

For this mix Richard Fearless has mined the influences that went into his recent Deep Rave Memory album and seemlessly stitched together ninety minutes of electro, acid, techno, EBM and industrial musics, all glide by of synths, drones, robot voices, squelchy bass, machine drums and unmistakable superfast flicker of the strobe.