Justin read two sections from the book and during the Q&A talked about everything that went into the writing of it and into Jonah- not least the struggle between originality versus influences and the act of creation as an act of possession. Stephen asked all the right questions and Justin is a relaxed and articulate interviewee, open, reflective and funny. Justin talked about the creation of music and the alchemy that comes from people who don't really know what they're doing but want to make music getting into a studio with machinery and equipment that enable them to do that and then misusing it, the genesis of both punk and acid house. Eventually we get to the phrase, 'it could have been worse', a very British response to things. You can buy The Trial Of Jonah here.
It's a fun evening, free and local. Justin sets up to begin playing and it's a Temple Of Wonders style set (a monthly radio show he does with a wide ranging musical policy). It's a work night, 11 PM, a lovely June evening, and Justin is playing proggy, folky psyche in a bar in Stretford.
Back in the early 90s Justin formed Lionrock with Mark Stagg and MC Buzz B and via Mike Pickering they signed to DeConstruction, one of the early/ mid- 90s key UK dance labels, one that put out records by K- Klass, Black Box, Bassheads, M- People and Kylie Minogue. Lionrock's first single was a self titled progressive house thumper with Justin's signature trumpets, a track that was inescapable in Manchester in 1992/ 1993.
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