A series for Saturdays in 2026 inspired by Brian Eno and Peter Schmidt's set of cards, Oblique Strategies (Over One Hundred Worthwhile Dilemmas). Eno and Schmidt created them to be used to unblock creative impasses and approach problems from unexpected angles. Each week I'll turn over an Oblique Strategy card and post a song or songs inspired by the suggestion.
Last week's Oblique Strategy suggestion was Is there something missing?
I went for Todd Terry's 1996 remix of Everything but The Girl's Missing, Dub Syndicate, Joy Division's transition into New Order, Durutti Column, R.E.M. and The Clash. The Bagging Area Oblique Saturdays squad went into overdrive and came up with late period New Order without Hooky, The Verve without Nick McCabe, Elvis Costello, Janis Joplin (whose vocals were missing from a song she was supposed to record the day she died), Julian Cope and Peggy Suicide, The Justified Ancients Of Mu Mu, Wire, The Stranglers, Tindersticks, The Bad Seeds, Andrew Weatherall's Music's Not For Everyone radio shows, Athletico Spizz and R. Missing. Thank you Chris, Beerfueledlad, Rol, Khayem, C, The Swede, JC and Walter.
Peggy Suicide Is Misisng closes Julian Cope's 1992 opus Jehovakill, a forty two second burst of notes and noise and Cope, the Archdrude, singing, 'mother, mother, mother...'
This weeks Oblique Strategy card says this- Don't break the silence.
At first I thought I'd turned a repeat Oblique Strategy card but on checking it just seemed familiar- I've had both Tape your mouth and Do nothing for as long as possible before, both of which at first felt like they come from a similar place. I wondered if I should choose again but then the word silence prompted me and this came to mind...
A Life Of Silence (Timothy J. Fairplay's Fall Of Shame Remix)
Released on Andrew Weatherall's Bird Scarer Records back in 2012, a vinyl only 12" series that ran to just seven releases, Tim (Andrew's engineer in the studio in the early 2010s and his partner in The Asphodells) remixed Scott Fraser's A Life Of Silence. Scott was one of the Scrutton Street Axis, one of several artists who took a room in Andrew Weatherall's Scrutton Street bunker complex near Brick Lane in London. They all had to vacate eventually as the forces of free market capitalism decided that an underground bunker complex containing several DJs, musicians and producers making relatively small scale music aimed at a few hundred souls was an inefficient use of property. 'Artists', Andrew said at the time, 'are the vanguard of gentrification'.
Tim's remix is a beauty, a nine minute electronic excursion into early New Order/ music for the Cold War territory, the chuggy drums, Hooky- esque bass, choppy guitars and cosmische synths all conjuring 21st century acid house and images of Warsaw Pact maneuvers, West Berlin and early 80s Manchester. Maybe that's just me.
I could have left it there. Don't break the silence by adding to A Life Of Silence. There's loads more songs in my collection with silence in the title: The Asphodells only album had One Minute Silence on it,a John Betjemen inspired lyric (also released for RSD as a vinyl only 12" with a Wooden Shjips remix); I've recently been reviewing and enjoying the new album by Lines Of Silence; Depeche Mode enjoy their silence; Television Personalities had an angry silence; Daniel Avery is Out Of Silence, Justin Robertson has a Cup Of Silence; and Duncan Gray has an imperfect silence.
More conceptually I then thought of Bill Drummond, never a man to shy away from something grand and important. In 2005 he declared 21st November as No Music Day, a day of silence to draw attention to the cheapening of music as an art form.
'I decided I needed a day I could set aside to listen to no music whatsoever. Instead, I would be thinking about what I wanted and what I didn't want from music. Not to blindly – or should that be deafly – consume what was on offer. A day where I could develop ideas'.
A day of silence in other words. He chose 21st November as it is the feast day of Saint Cecilia, the patron saint of music.
Simon And Garfunkel's Cecilia, a hit from 1970 with home made, improvised percussion, banging a bench and looping it at a party then recreated in the studio with a piano stool and guitar cases.
Bill promoted No Music Day for a few years with some take up in the UK press, BBC Scotland and further afield (Sao Paulo in Brazil and Linz in Austria both joined in).
I don't know how much No Music Day achieved but like many of Bill Drummond's schemes, the concept is the thing. He does something and then he moves on. If music was being cheapened as an art form in 2005 it's even cheaper now- Spotify, Tik Tok et al and advertising use music as content, little more than the backing track to the product they are selling. Spotify's rates of pay for musicians are appalling. Mark Peters, a guitarist from Wigan whose music I've featured here a good few times, recently found out that a piece of his music was used by Facebook in India and had been streamed over 26 million times. For this he received a payment of £40.
Mark's most recent release is Shadow Quarter, available at Bandcamp, four songs each one done in two versions.
Feel free to make your own Don't break the silence suggestions in the comment box.
