Thrice Yes

'Language has the power to alter our perceptions... a single word can change our reality... and that word is yes!'

Jezebell's second album, Jezebellearic Beats Volume 2, came out last year, a twenty track, four sides of vinyl epic with remixes, edits, originals and five brand new recordings. The album's ultimate track was Turn It Yes, the song that maybe Jesse and Darren have been building up to all this time- rippling synths, rolling electronic drums and percussion, a vocal sample about language and reality and the word yes and a second vocal sample, one about a famous exhibition at The Indica Gallery in 1966 that proved to be a crucial part of the story of one of the most famous people of the 20th century. 

Today sees the release of a remix EP, Turn It Yes redone in three versions. Sean Johnston's Hardway Bros remix is straight out of Sean's top drawer, a thumping, pumping, uptempo glide by that threatens to turn into Underworld on several occasions- I can imagine Two Months Off and this remix being mixed in and out of each other, cutting from one to the other for ages. Sean keeps it going, the juddering kick drum and the words and the topline, all piling up, a never ending peak. The Parvale Remix is tougher still, a four four chug with everything- bpms, synths, rave bass- set to max. 

Justin Robertson is the third man, remixing Jezebell in his psychic folk dub, Five Green Moons mode, slowing Jezebell down, dubbing the bass, FX ricocheting, drums skanking, organ notes flaring like flashes of sunshine and that nagging key topline appearing and re- appearing and the vocals slurred and stoned... 'and that word is Yes'. Justin's on a roll right now and this one is right up there with his best work of recent times. 

You can find Turn It Yes Remixes Vol. 1 at Bandcamp. 

Justin can also be found remixing Brisbane band Das Druid. The Aussie three piece have been compared to the sound of late 80s/ early 90s Manchester, the swaggering indie- dance rolling drums, psychedelic guitar lines and euphoric, wide eyed spirit. On their Das EP there are three songs- Freedom, Less Than 3 and Incense- and if you slotted them into a Madchester/ indie dance playlist they'd be right at home, you'd barely hear the joins. The third of those three, Incense, also carries one of the next steps from those early 90s days, the spaced out swirl and psychedelic rock of Spiritualized and early Verve. 

Justin's Five Green Moons remix of Freedom comes in two versions, a remix and a dub, each eight minutes long, the spaced out dubness, FX and melodica and slo mo rhythms slipping and sliding through a Five Green Moons haze. As well as those two Das Druid are put through their paces by Ruf Dug, the Stoner Trance Version of Incense, a slow burning behemoth, distorted bass and grinding rhythm in contrast to the half whispered, starsailing vocal. The drums double up at three minutes and there's some wailing, an acid house, psychedelic stew. Intense. Incense. 'Two hands are better than one'.

The Das EP is also available at Bandcamp. 

Justin is in demand in the world of Magick Knives too where he's taken the Dungeon Jazz and Wizard Psych of their song Existence into his folk- dub netherworld, where the hills have eyes and the isles are being prepared for midsummer. Dislocated trumpets, disembodied vocals, spindly guitars and whirling organs. Get tripped out at Bandcamp.