Gorilla Head

At the end of March I went to see Ladytron play at Gorilla. The tickets were a gift, courtesy of friends who couldn't make it. I tend to think of Ladytron as a relatively recent band but they formed in Liverpool in 1999 and have released eight albums since 2001, the most recent a few weeks ago. Gorilla was rammed to the rafters, a little unpleasantly so. Once inside the venue (and it's a small venue anyway) the only way to move was if someone else moved. Making our way to the bar was a feat in itself and once there there was little chance of moving any further forward. 

The band played twenty songs, set up with the two female members, Helen Marnie and Mira Aroyo, at the front of the stage- Helen sings most of the songs, the archetypal cool front woman, and Mira playing synth/ guitar and singing on a handful of songs. When Mira sings they become more angular, sounding like a Bulgarian Stereolab. When Helen sings, they snap into sharp, futurist synthpop mode. 

Behind them founder member/ songwriter Daniel Hunt plays bass/ synths, there's a human drummer and another synth/ keys player. The songs from the new album Paradises follow in the electronic- synth pop vein they're known for and early on this single, Caught In The Blink Of An Eye, stands out- dramatic and urgent, slow burning synth with the drummer adding masses of extra oomph. 

Old favourites Seventeen (their breakthrough from 2002) and Destroy Everything You Touch (from 2005) are saved for the end of the set and the encore. There's some audience- band interaction, Daniel joking about the heat onstage making everything 'moist' and all the songs, new and old, are well received. Just wish it hadn't be so packed in there. 

More recent, closer to home and slightly less packed out, Justin Robertson appeared at Head last Thursday promoting his latest novel The MineralTail. Head is just up the road from me, a twenty minute walk to Stretford and is a bar/ space in a former branch of Barclays with the bar being the surviving bank counter and some of the late 60s modernist design features still intact. It's a low key and welcoming place with 70s geometric wallpaper and assorted pieces of furniture. 

Justin promoted his second novel The Trial Of Jonah at Head a year ago and returned with his third- The MineralTail, a cosmic tale of the greatest three piece rock 'n' roll band ever formed (in this case, a trio of a megalithic stone and two dogs), the greatest album ever made and the longest song ever recorded. Following on the heels of the semi- autobiographical time travelling story The Trial Of Jonah, it's an irreverent, freewheeling tribute to the redemptive powers of music and of sound. 

Justin reads a couple of passages and does an in- conversation with our host Stephen, who delves into the book's creation myth, the Buddha nature of dogs, 'Satan's flaccid jingles' and we take a headlong dive into the magical psychedelic world of pan pipes and bagpipe jazz.   

The MineralTail has an album to accompany it, the soundtrack to the novel. There's a fifteen minute sampler at Soundcloud- motorik space rock, ambient dub ritual and rocking cosmische. Listen here.