Putting together a forty minute mix of songs by The Fall is the easiest one I've ever done.
Go into the folder marked The Fall and start selecting songs.
Sequence them into an order that is pleasing.
Note that this process could be repeated three, four , five more times over and the quality would not dip.
Mark E. Smith famously said that 'if it's me and your nan on bongos, it's The Fall' but there's no doubting the musicians who came and went through the ranks over the years added a significant amount to the songs the group wrote and played. The songs here would sound different if Brix Smith, Steve Hanley, Craig Scanlon, Simon Wolstencroft, Karl Burns, Marc Riley, Martin Bramah, Spencer Birtwistle and all the rest hadn't been members of The Fall. Mark E. Smith may have been an intolerant and difficult person to be in a band with as time went on but he was also a singular and endlessly electrifying presence, as the songs below demonstrate. The lyrics and vocal delivery are of course central and the ones here find room for the Kennedy assassination, Mark Twain, Walt Whitman, Frank Zappa, Australians, Oprah Winfrey, Nelson, Tolstoy, Jeanette Fletcher, forty year olds in coloured shirts, the Flintstones, Star Wars, Nietzsche and the hip priest.
Cruiser's Creek is a single released in November 1985, one of the first songs written and recorded for This Nation's Saving Grace, when Brix joined the band and upped the ante a little in terms of sound and melody. John Leckie produced. The intro, MES shouting through a megaphone or over a tannoy, 'What really went on there? We only have this excerpt', is a brilliant way to open any song/ mix/ compilation tape.
Australians In Europe was a B-side to Hit The North, released in October 1987. Hit The North is a great single, 80s indie/ alternative night dancefloor gold.
Free Range came out in 1992, on the album Code: Selfish and a single in the same year. There are dance/ techno influences finding their way in to The Fall's sound, partly brought by new recruit on keys Dave Bush. At some point in the mid- 90s Andrew Weatherall was lined up to produce a Fall album but it became clear to him that his way of working ('You will give complete control of songs and production over to me and I will turn the vision in my head into a wildly expansive album') and Mark's ('I am The Fall and I say what it sounds like') would not be conducive and he backed out. A Weatherall produced Fall album is one of life's great What If's....
Oswald Defense Lawyer is from 1988's The Frenz Experiment, my first Fall album and hence one of my favourites (I think it ranks fairly low among The Fall's cognoscenti). There are Fall fans who say the cover of The Kinks song Victoria (also from this album) and There's A Ghost In My House are the worst songs The Fall did. Similarly there are Clash fans who hate Should I Stay Or Should I Go and Rock The Casbah because they sold in large quantities and were hits. Generally, I distrust these views. A good song is a good song regardless of how many or few people bought it.
Touch Sensitive came out in 1999. I'd drifted from The Fall by this point and this single bought me back, a dancefloor friendly, catchy as you like, thundering rumble of Mancabilly, filled with MES one liners. It opened the album The Marshall Suite, the 20th Fall album and last one in the 20th century.
Two Librans came out on 2000's The Unutterable, the first Fall album of the 21st century, and proof that the band and Smith were as vital as they'd ever been.
Big New Prinz is a contender for my favourite Fall song, the first song on October 1988's I Am Kurious Oranj (either my second or third Fall album purchased I think). The album was conceived as the soundtrack to a ballet performed by Michael Clark and Company, a performance based on William of Orange's ascension to the English throne in 1588, the so- called Glorious Revolution. Big New Prinz is based on 1982's Hip Priest. The album also contains their cover of Jerusalem which is priceless.
Blood Outta Stone was on 1990's The Dredger EP, a four track 12" led by the cover of White Lightning. It was later on added to CD re- issues of Shift- Work.
High Tension Line is another favourite of mine, also from 1990, a period when they seemed to release 12" singles almost weekly. It was produced by Grant Showbiz who did a lot of good work with them around this time.
Dead Beat Descendant is prime late 80s Fall, the B-side to Cab It Up. The title apparently comes from an episode of The Flintstones, Fred, Barney, Wilma and Betty sent into the 21st century by The Great Gazoo. The four of them are chased out of Fred's company by George Slate the 8000th, Fred's $4 loan from prehistory now ballooned into a $23 million debt, Slate shouting 'come back here you dead beat's descendants!'
Interesting...that's probably as near as dammit to a ten songs by The Fall that I might choose. I don't really have much truck with those who reject their whole "pop" side, and nineties Fall often has a lot going for it.
Great selection there, Adam. The Frenz Experiment was also my first album purchase by The Fall so it’ll always have an elevated position in my favourite of their albums. Likewise, the 1990s output.
3 comments:
Interesting...that's probably as near as dammit to a ten songs by The Fall that I might choose. I don't really have much truck with those who reject their whole "pop" side, and nineties Fall often has a lot going for it.
"And here should you require it is Wilma using the word bollocks...."...the world definitely requires it...
Great selection there, Adam. The Frenz Experiment was also my first album purchase by The Fall so it’ll always have an elevated position in my favourite of their albums. Likewise, the 1990s output.
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