Section 25, from Poulton- le- Fylde near Blackpool, formed in 1977, enthused by punk and its possibilities. In 1979 they shared a stage with Joy Division at Blackpool's Imperial Hotel and from there were invited by Rob Gretton to play at the Russell Club in Hulme and then on to signing to Factory. By 1983 an expanded line up were heading towards the future, away from post punk guitars and into electronic dance music. Their 1984 single Looking From A Hilltop, produced by Bernard Sumner and ACR's Donald Johnson under their Be Music name, is one of the best records Factory released, a proto- techno/electro masterpiece, dark synth- pop, Moroder on the Golden Mile, with whip crack backwards drums, low slung bass and an icy vocal from Jenny Ross.
The album From The Hip, has one of Peter Saville's most beautiful sleeves- the poles on the front cover use the same colour wheel code he'd used on the Power, Corruption And Lies and Blue Monday sleeves. The Megamix version of Looking From A Hilltop on the 12" made it's way to New York's clubs and to the early Chicago house scene. Along with Marcel King's Reach For Love and 52nd Street's Cool As Ice, Looking From A Hilltop proves that it wasn't all just about New Order at Palatine Road in 1984. The version I'm posting here is from a session Section 25 did for David Kid Jenson at the BBC, 10th May 1984.
Looking From A Hilltop (BBC session)
3 comments:
I pressed play half-expecting this to sound terribly dated. My fears were quickly proved wrong. It's a tune crying out to be played at eardrum shattering volume.
It sounds very current Swede doesn't it, the Megamix version even moreso.
I have the reissue of From the Hip LTM put out in the late '90s that has a few versions of Looking From a Hilltop, including the Megamix. It is one of the best sounding albums in my collection. Highly recommended. You're so right about that cover too.
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