Saturday, 18 November 2017
You know you're gonna be mine...
I'm going to bounce you out of your bed on this Saturday morning with a perfect piece of rave- pop from Bizarre Inc, a trio from Stafford. They had two hit singles in 1991, both ravier and more hardcore- Playing With Knives and Such A Feeling. I'm Gonna Get You is unashamedly pop, with vocals from Angie Brown (reworking lyrics from Jocelyn Brown's Love's Gonna Get You, a 1985 song which also contained germs of two other rave hits, a sample in Moby's Go and the line 'I've got the power!' in Snap's The Power). I'm Gonna Get You went to number 2 in the chart, based around a drumbeat, synth stabs and some vocal hooks. Once in your head they will stay there all day.
Yo DJ pump this party.
I'm Gonna Get You
Friday, 17 November 2017
Sometimes with a blog post the music comes first and the picture second and sometimes the picture comes first and the music follows.When I found this picture, about to appear in a new book about women in punk from Sam Knee called Untypical Girls; Styles And Sounds Of The Transatlantic Indie Revolution, I had to post it.
New Day Rising
New Day Rising from 1984, the same year the picture was taken, is the first song on the album of the same name and is a righteous blast of fast, melodic punk rock from three men playing as if their lives depended on it.
Thursday, 16 November 2017
There's been some discussion over the last couple of days at The Flightpath Estate (A Facebook group for Weatherall enthusiasts) about this 12" single from 1994, a one off under the pseudonym Meek. It came out on Conemelt's New Ground Dance Division and was limited to 500 copies- I only got a copy a few years back, via Discogs, but remember hearing it at a friend's flat in Liverpool, late one night after clubbing. I've posted both sides before but that was back in 2012, decades ago in blogging terms.
Glowing Trees is a long, abstract piece of experimental ambient-techno- whirring clocklike noises, some echo, a little melody box type refrain, a soft padding bassline- all quite dreamy and drifting.
Glowing Trees Part 1
Part 2 adds a kick drum and some extra rhythmic intent, propelling it forward. Very Sabres Of Paradise-esque (not surprisingly).
Glowing Trees Part 2
On the label at the centre of the record there is an inscription, reading 'with a head like a burnt candle'.
Dig in Webbie.
Wednesday, 15 November 2017
Charlotte Gainsbourg has a new album, Rest, out on Friday. A few weeks ago this song came out, a brilliant piece of dreamy electro-pop, with all the right parts in all the right places.
Soulwax's remix of the same song came out a few days ago,with Belgian beats and cowbell and stretched out over eight minutes. Not quite as instant and emphatic as the original but worth a spin.
Tuesday, 14 November 2017
Another long one today, a tad over an hour's worth of folky freakery for you. Back in September Andrew Weatherall guested on 6 Music's Freak Zone and played a load of unreleased songs from his Moine Dubh label. The first bunch of songs were released as part of a 7" vinyl subscription a year ago, five singles for fifty quid. The follow up, which is what I'm assuming this will become, is in this big mp3 file.
A Journey Into Moine Dubh (Freak Zone September 2017)
There's a mixture of Moine Dubh artists here, old and new. Frank Alba and Barry Woolnough both appeared in the first singles club or at the live night at Crystal Palace, Woolnough with the spooky song of loss Great Spirit Father In The Sky. Fireflies, Echowood and Lowroad did too. Nina Walsh, who is in this mix a few times including twice solo with some sparkling acoustic guitar songs, is half of the Woodleigh Research Facility and a long time musical partner. Rootmasters, Jessica Cahill, Eva Eden and Kave are all new ones to me. Over the course of an hour there's some strange modern British folk, some weird psych and some killer tunes.
Monday, 13 November 2017
If you fancy an hour's worth of highest quality machine music seamlessly mixed together by the hands of Richard Fearless then this Boiler Room upload should be right up your alley. Recorded back in 2013, it is a great set, some spacey dub techno, house and acid. Musically it's hypnotic, sexy, and forward thinking stuff and all done on vinyl. Some of the dancing by the punters behind Richard is a little irksome at times but then I wouldn't particularly want to watch back footage of myself cutting some rug either. Scott Fraser and Timothy J. Fairplay can be seen at various points- this was part of a Crimes Of The Future night. There's a Soundcloud upload of the set here. No dancers to distract from your enjoyment of the tunes.
There is further good news for those of us who love Richard's techno/house. He has a new single out in early December called Night Blind. If it's as good as the Sweet Venus/Rex 12" that came out earlier this year, it will be very good indeed.
Sunday, 12 November 2017
An online friend (Spencer) recommended an album to me recently and it's haunted and inspired me for much of the last week. 11, 000 Dreams is a compilation of works from Belgium's Jan Van Den Broeke, a series of minimal, low key synth pieces, drum machines and samples with spoken vocals. On one track Martin Luther King combined with some eastern guitar. Quite a bit of Eno and Byrne in places. Never less than interesting and frequently with some real depth and emotion. Here are two as examples (but you should really buy a copy and get the full effect of the 12 ambient and minimal wave tracks washing over you).
Who Is Still Dreaming?