Monday, 23 January 2017
Briefly in 1990 The Beloved made some very good music, perfectly in tune with the times- a run of singles, the 1990 album Happiness and its remixed counterpart from a year later Blissed Out and the not-a-hit It's Alright Now single. This Melody Maker front cover is dated 27th January 1990 and shows where the inkies were at that point- Loop, Carter USM, Baby Ford and The Shamen show the twin pleasures of noisy guitars and the dancefloor while The Cult, Mantronix and Psychic TV bring the mid 80s back. Tanita Tikaram was available for interview twenty seven years ago too.
The Sun Rising is a fast paced, slinky groove with that female vocal sample that Orbital also used (on Belfast). Music made from optimism with a sense of endless possibilities.
The Sun Rising
I chanced upon this NME cutting yesterday too, a review of The Beloved playing the Hacienda (5th March 1990 I think, according to some internet research), supported by local heroes The High and a dj called Andrew Weatherall. I may get around to posting something by him sooner or later.
Sunday, 22 January 2017
'Greetings Gnostic wanderers' are the words Andrew Weatherall uses to welcome us to the first edition of Music's Not For Everyone of 2017. I was going to make a crap joke about Gnostic Wanderers FC still being in the FA Cup. I just have. They're playing away. Think it may go to extra time.
You know what happens here. Weatherall plays records for two hours. You make notes of those you really like and spend your hard earned money on more plastic that you are struggling to store but feel better about for owning. You make mental notes about a few others and an upcoming remix by the man himself- future spending and storage issues. Repeat monthly.
Saturday, 21 January 2017
Are we all still here? I'm assuming that during the night Trump didn't get his horrible, stubby, little fingers on the wrong buttons and start a nuclear war and that I'm alive and you're here reading this. Hopefully that's not a stupid assumption. We are living in strange times.
This Detroit remix of Berlin dub techno came out in 2006, Carl Craig reshaping Rhythm And Sound, with righteous vocals from Bobbo Shanti. It's pretty intense and could easily be twice the length and not outstay its welcome. This sleek, ultra rhythmic, layered techno is really pushing my buttons at the moment. Coming over Barton Bridge last night to something similar on the stereo the south Manchester sky was astonishing, a broad pink band bleeding into bright blue with a few streaks of white cloud and the disappearing sun a vibrant orangey-pink ball. A wheeling arc of birds rose over the retail park. I couldn't photograph it (I was driving) and the view only lasted a few seconds but it was something else.
Poor People Must Work (Carl Craig Remix)
Friday, 20 January 2017
Innersphere's Out Of Body is a 1995 ambient classic- over nine minutes long, a shuffling drumbeat, rippling pianos, squelchy bass, spine tingling stuff all told. It came out on Sabrettes with an Andrew Weatherall remix on the B-side. Weatherall's version is a less optimistic, more paranoid take. There's a high pitched noise that is there more or less all the way through, like a radio not tuned in right, the pianos have been spooked and three quarters of the way through the whole thing turns when a voice asks 'Can I come in please?'
Out Of Body (Andrew Weatherall Remix)
Thursday, 19 January 2017
Timothy J Fairplay has a debut album out next month, following a slew of ep and 12" releases over the last couple of years and a stint as an Asphodell. The blurb from Dutch record label Charlois adds several new genres to Timothy's already pretty unique list of musical areas covered- proto techno, horror disco and forlorn wave. The last one, forlorn wave, is a beauty to add to the Stasi disco and rare gloom tags that were my previous favourites. Twelve synth and drum machine tracks over four sides of vinyl, out on February 20th. Things are looking up.
Wednesday, 18 January 2017
Ten Fé are a London duo who I'd never heard of until recently. They sound a bit like 80s Cure mixed with 80s Bruce Springsteen. Their new album was recorded in Berlin- often a promising sentence- and is preceded by a remix e.p. This is the one for me, Roman Flugel's remix, a vibrant, hopeful version with juddering bass and synths like daybreak.
Tuesday, 17 January 2017
Chris Mackin (also Chris Rotter of Le Volume Courbe, the live band version of Two Lone Swordsmen and his own Bad Meat Club) shared this over Christmas and then it got lost in amongst all the merrymaking. Eleven and a half minutes of sonic adventuring and dancehall vibes, turning cosmiche at five thirty and then building.