Friday Dub Disco Party

Earlier this year Matt Gunn released an EP titled Nowhere, three tracks long and led by the long drifting dubby electronics/ guitars of Something Ain't Wrong If Something Ain't Right- a track that sounded a little like early Verve produced by Adrian Sherwood. Matt's finishing the year with a new EP, four tracks brought together as Electric Dub Cuts. Big Static has a digital reggae bounce, long slow synth chords and the kind of space and feel of The Orb. Wicker Dub is credited to Gordon and Gunn, a seven minute odyssey with chopped up voices from TV adverts, an oompty sounding kick drum, the kind of bassline that gets a nervous system response and synths that prickle the skin and make the hairs on the nape of your neck stand up. 

The third track- Someone Else's Dream (Matt Gunn Dub Mix) by Electric Wood- is a woozy, bluesy, late night howl with a thumping dub rhythm. Electric Dub Cuts concludes with Dub Electric- eight minutes long and the sort of dubbed out indie dance that used to take up all of side B of a 12" single, the results of a guitar band sent spinning into the cosmos by a talented remixer. Lovely stuff. Get all four over at Matt Gunn's Bandcamp treasure trove. 

Out on Duncan Gray's Tici Taci today is the latest EP from Uj Pa Gaz, four tracks out of Tirana, Albania. It's an Adriatic delight, the blissed out feel of Balearica crossed with the chuggy Tici Taci sound and something else, the Tirana magic ingredient. Outerdubelic is expansive and led by a wonderful guitar topline over twinkling synths and chunky drums. Simple Brain is cut from similar cloth, optimistic and forward thinking psychedelic dance music, long synth chords and bursts of acidic squiggle. 

Dissimilar Function is a slo mo treat, a heady, dancing under the stars kind of track, an acid undertow with a two note refrain that splatters itself across the mix, grin inducing, ecstatic stuff. ALFOS via Albania. Shok cuts the tempos again and shuffles in, a voice buried somewhere in the, keys and synths, maybe a guitar, chuggy drums, sunsets... wonderful. Get it at Tici Taci. 

Edit: due to an admin error the release of Outerdubelic is delayed by a few weeks. There are some clips of each track at Soundcloud.

In Leeds Paisley Dark continues to put out high quality releases. The latest comes from Viper Patrol, a wonky acid/ dark disco track called Dancing Voices. The original comes with two remixes, one by  Cosmikuro and one by A Space Age Freak Out. Cosmikuro heads for the darker edges of the dancefloor, shimmering shards of guitar and funky clipped riffs lighting the way. A Space Age Freak Out freaks out, a psyche dub extravaganza. 

The second track is Def Charge- more dark disco with a trippy edge. The remixes of this one come from Ian Vale and Airsine. Ian Vale's is bass heavy and percussive. Airsine's is propulsive and insistent, punctuated by rippling synths and shouts. The whole package is at Bandcamp. 

2024 In Dub

The list making has started. Some of my blogging compadres have already pressed the Best Of 2024 button. At some point before Christmas I will post an end of year review and list. In the meantime, here's some of 2024's highest quality dubwise sounds wrapped up in an hourlong mix- there's much more that could have fitted into this mix too but in the end I wanted to keep it to under sixty minutes. Repetitive, bass heavy, echo- laden and spacious sounds for Sunday. 

2024 In Dub

• Coyote: Living In Heaven
• BTCOP: Sabre 540 (Rude Audio Remix)
• Five Green Moons: Garbage Van Exhaust
• Uj Pa Gaz: Roxy (Hardway Bros Meets Monkton Uptown)
• David Harrow and Little Annie: End Of Times (Rude Audio's Immutable Remix)
• Hugo Nicolson and David Harrow: Revolvalution (Dan Wainwright and Rude Audio VIP Remix)
• Justin Robertson's Deadstock 33s: In Minus Shadows
• The Woodentops: Dream On (Rolo's Dub)
• Richard Norris: Fever Dub
• Coyote: OMG

In early December Coyote released a dub 12", two huge dub tracks,Living In Heaven and OMG,  that are in their own description 'light as a feather- heavy as lead'. 

Living in Heaven sounds like it be from side six of Sandinista!, a massive compliment in this household- it also has a touch of the Sabres Of Paradise Ysaebud single. Rattling bassline, echo and vocal sample. Coyote add some strings. Lovely deep stuff

Rude Audio's remix of BTCOP's Sabres 540 came out on Tici Taci in February, a remix that Rude Audio's Mark Ratcliff thinks his among his best work. He's right. 

Five Green Moons is Justin Robertson's latest venture, a post- punk/ pagan dub excursion, an eleven track album that continues to reveal new depths with each play. Justin appears later on too, with a track from the EP he released on the excellent Pamela label in April, four tracks all to some extent infused with dub. 

Uj Pa Gaz is from Tirana, Albania, a Tici Taci recording artist, producer and DJ. Roxy came out in late July and appears here in Hardway Bros Meets Monkton Uptown remix , heavy duty dub action from Sean Johnston and Duncan Gray. There is a very beguiling Middle Eastern melody line that plays out from the start, tumbling percussion, rimshots, delay and the deep hit of dub bass.

David Harrow has turned sixty this year and has celebrated with a release every month, a treasure trove of music emanating from his LA studio. His EP with On U legend Little Annie, the New York post- punk/ dub poet, had the original version of End Of Times, an instrumental, an acapella, and six remixes, two by Rude Audio- the Immutable and Protean Remixes. The Immutable is the dubbier of the two, a dubbed out rhythm underpinning Little Annie's poetry, 'this is not a happy hour'.

And Rude Audio turn up again, their third appearance here, now with the assistance of the wonderful Dan Wainwright. They took a track recorded by two former Andrew Weatherall cohorts- David Harrow and Hugo Nicolson and spun out into psychedelic dub complete with a brain melting ukulele solo. There are Sabres Of Paradise sounds scattered throughout it.

The Woodentops released a new album in April this year, Fruits From The Deep, a deep and rewarding trip under the sea. Dream On was one of the highlights, remixed in dub style by main Woodentop Rolo McGinty. Dream On (Rolo's Dub) starts and ends with an airplane taking off. Flying off to somewhere warm seems like a dream right now. 

Richard Norris' Bandcamp subscription service rewards on a monthly basis, a project that started with his Music For Healing ambient project but has blossomed into other areas, not least his Oracle Sound series of albums. Oracle Sound is (currently) three albums of superb, home grown dub. Fever Dub is from 2024's Oracle Sound Volume Three. 

Take Your Baby By The Hand

In 2022 Peak High released a single that was one the best of the year, the magnificent Was That All It Was, a cover of a 1979 disco/ soul song by Jean Carne. Peak High (Jim McCall) then sent his version to Sean Johnston who remixed it twice, the first time pulling all the ALFOS/ Patrick Cowley levers, synths and drum machines set for the cosmic disco/ chug heart of the sun, the second going early 90s Sheffield bleep house. Now they've done it again.

The new release is a cover of Wang Chung's 1983 hit Dance Hall Days, a song for summer and late nights, the sequencers and synths throbbing and pulsing. Don Gomez's sweet vocal sends the song closer to perfection. All the labels apply- cosmic disco, Italo, Balearic, chug house. Once again Sean is on remix duties, his Hardway Bros remix toughening up the drums and sending it to a sweatier, darker place, most likely a basement. 

The Peak High and Hardway Bros versions are at Bandcamp. The video for the original song was directed by Derek Jarman, with some of the footage from Jarman's father's home movies. The toddler is Derek. 

Sean is back in his remix partnership with Duncan Gray as Hardway Bros Meets Monkton very shortly, the pair remixing the latest song from the Tici Taci label, a superb EP from Uj Pa Gaz, coming all the way from Tirana in Albania. The Hardway Bros Meets Monkton Uptown remix of Roxy is a six minute dub version, bassline leading the way, very much Uptown. The original version of Roxy is a gorgeous, woozy slice of electronic music, laid back Adriatica. Also on the EP is The Cove, six slo mo minutes, percussion, chugging drums and a keening topline that pulls at the heartstrings. There's a clip of the remix of Roxy at Soundcloud  and one of Roxy here. More excellence from Tici Taci- the EP comes out on 31st July. 

Back in 2018 Uj Pa Gaz remixed Fujiya & Miyagi's brilliant ode to middle age and its attendant physical shortcomings, Extended Dance Mix. 

Extended Dance Mix (Uj Pa Gaz Remix)

While I'm here, can I remind you about Duncan Grey's full length album from earlier this year, Five Fathoms Full. It's twelve tracks of wall to wall supercharged ALFOS- style cosmic disco/ indie dance and hasn't been heard by nearly enough people. Find it here. 

Omo Can

This came out last Friday on Duncan Grey's ever wonderful Tici Taci label, a two track release from Tirana, Albania, by Uj Pa Gaz. The frist track is Omo Can, all shimmer, flutter and bounce, jangly Balkan/ Balearica, five minutes of blissful sounds and a slice of summer come early. It's only April I know and it doesn't really feel like spring has arrived yet but May is just around the corner and this is the sort of track to play as you feel the first warmth of the sun coming through, as we have a little this week (the word for that is one of my favourite words- apricity- feeling the warmth of the sun in winter). Omo Can has a two note bassline, an acoustic guitar riff that sounds a little like The Woodentops, some synth judders and an irrepressibly upbeat tone.  

The second track is Fritz, cut from the same cloth but slightly wiggier, funky and for dancing. There's a lovely backwards guitar line/ synth line running through the last few minutes, Balkan cosmische. Back in 2019 there was a superb release also from Tirana and also connected to Duncan (via a remix) by an artist called Pines In The Sun who put out an EP with three tracks, Zig Zag Sea and Sun (plus the remix) and which this has prompted me to revisit. I'll follow it up here soon. 

Eclectic

Something new for Tuesday, from the new Eclectics record label. The Triumph Of Dr. No is a slow motion, dusty track, filmic and intense, from K-Effect. The John Barry horns come in dramatically at the end as Ursula Andress emerges from the sea.



Across the ep there is a remix from Uj Pa Gaz, a resident of Tirana, Albania and then a second track, Metaloxide, which is remixed by El Fulminador of Argentina. Metaloxide has strings and a stuttering drum machine, then synths buzzing. This is a snippet. You can buy The Triumph Of Dr. No from Bandcamp now with the rest of the ep available in August. All four are sounds for long days and hot nights, shuffling slowly in the heat.