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Showing posts with label bruce hornsby and the range. Show all posts
Showing posts with label bruce hornsby and the range. Show all posts

Sunday, 20 September 2026

Half An Hour Of Lost Baggy

In 2015 Jon Savage put together a compilation called Perfect Motion- A Secret History Of Second Wave Psychedelia 1988- 1993. Jon pulled together the threads of guitar bands, rave outfits and pop groups who were creating a new wave of psychedelia, not a definitive survey but a snapshot. It very much chimed with my record collection with several Andrew Weatherall tracks, a backwards Stone Roses B-side, songs by The High and Shack, Dee Lite, Electronic, 808 State and Saint Etienne plus Joi, DHS, Northside and a bonkers Pet Shop Boys B-side.

In 2023 the label that released Perfect Motion, Caroline True Records, released a cassette only follow up, limited to just 100 copies, called Never Change- Baggy The Lost Tracks 1988- 1993. I never liked baggy as a descriptor but it's one that's was widely used at the time and has stuck. 

The cassette had an hour of music over two sides of a C60, sixteen songs sequenced together by John K with some extras spliced and mixed in (Loaded's famous sample from The Wild Angles opens up Side A). Some of them are fairly well known- World Of Twist, Stereo MCs and A Guy Called Gerald are all on Side A while Primal Scream and The Stone Roses are on Side B but there are also some very less well known artists and songs on the tape so Lost Tracks is a pretty accurate description. This is an uptempo stew of indie guitars, funky backbeats, a Rolling Stones cover, sampling, Hare Krishna chanting, acid house, Mancunian rap and Bruce Hornsby. 

Never Change Side A

  • Sinister Groove: Perfect Person
  • World Of Twist: She's A Rainbow
  • The Apples: Eye Wonder
  • Stereo MCs: What Is Soul?
  • MC Buzz B: Never Change
  • Joi Bangla Sound: Taj Ma House
  • Baby Ford: I Love It
  • A Guy Called Gerald: Hot Lemonade
  • Sunsonic: Driveaway

Sinister Groove released a four track EP in 1991 on 12" vinyl. One of those very much lesser known EPs from the time. The band were previously known as Bounce The Mouse but sensibly changed the name (not that it made them any better known). Perfect Person is the second song on the EP, a perfectly pitched piece of 1991 guitar pop, funky drummer drums, chiming guitars and a northern sounding vocal. As far as I know they released nothing else. 

World Of Twist were an amazing band who released one album, Quality Street, that wrapped up indie, guitars, Northern Soul, northern psychedelia and a love of kitsch in one package. Their cover of The Stones She's A Rainbow was released, re- released, remixed and promoted in search of a hit. They split a few years later having promised much. 

The Apples were an indie dance band from Edinburgh who released Eye Wonder in 1991. Other than that, I know nothing. 

Stereo MCs would make it big supporting/ blowing the Happy Mondays off stage every night in 1992 and then crossing over with Connected. Before that they had two albums, Supernatural in 1990 and 33- 45- 78 in 1989 from which What Is Soul? is from. In 1989 they constructed their tracks from scratch, sampling records onto tape, pressing pause, winding the record back and letting it go again. Painstaking. Sample spotting fun- Eno and Byrne, Ben E. King, Van McCoy...

MC Buzz B (Shorn Braithwaite) was a rapper from Hulme, from a time when UK hip hop was very undeveloped. Never Change makes liberal use of Bruce Hornsby's That's The Way It Is and showcases Buzz B's positivity and inventiveness. Never Change is from the album Words Escape Me. 

Joi Bangla Sound were a DJ/ production duo, Farook and Haroon Shamsher, from Bradford. They took the sounds from their Bangladeshi upbringing and mashed them together with late 80s street sounds- house, sampling, rap- and released Taj Ma House as a white label in 1988. Desert Storm was NME single of the week in 1992 when that accolade meant something and they performed at WOMAD and signed to Peter Gabriel's label. They became festival regulars and played thousands of gigs in the 90s. Haroon died suddenly and unexpectedly in 1999 and Farook has since continued alone. 

Baby Ford is a UK acid house original, releasing singles including Oochy Koochy, Children Of The Revolution and Beach Bump. I Love It is from 1989 on the label of the day Rhythm King and the album Ford Trax. 

A Guy Called Gerald. You know who Gerald is. Co- writer of 808 State's Pacific State. Voodoo Ray. Emotions Electric. Some of the best and most important UK house singles of all time. Hot Lemonade was recorded in Manchester in 1989 and missed out on the kudos it deserved in that year's run of records that captured people's attention. 

Sunsonic were previously indie band The Flowerpot Men who left guitars for electronics in 1989 and made three singles and an album in 1990/ 1991. Driveaway was the third/ last. Their first single Kind Of Loving (1990) has a B- side called Innocent Man which is a lost ambient classic (but that's a different tape/ mix/ album entirely). 





Tuesday, 16 September 2025

Some Things'll Never Change

Two weeks ago reader and internet friend Spencer sent me a message abut a track with some enthusiastic words. In the past Spencer has been the starting point of several posts and for a while as eries of songs/ tracks he sent me became a series. The one he sent two weeks ago was more than enough to prompt a guest post. Here it is...

One of the 'Old School Balearic Classics': Originally released in 1986, it became a regular final tune of the night on the White Isle...

The Way It Is

In 1990, the piano instrumental part of the song used to run on a loop while Bob Wilson reflected on how the scores of the day had impacted the League Tables towards the end of the Grandstand Saturday afternoon programme. Men and boys hung around electrical shop windows while their wives/mothers wondered where they'd got to...


More recently - in July 2024, in fact - it got a Balearic update courtesy of those cheeky Psychemagik chaps, who produced a dubbed out calypso instrumental version... https://psychemagik.bandcamp.com/track/the-way-it-is For me, there's no topping the original extended mix. The tune itself manages to combine melancholy, joy and nostalgia in a gloriously simple roller of a tune that just keeps going and you never want to end!


Psychemagik's edit was new to me and I love it too- a gloriously chilled end of night version with steel can drums carrying the melody. Maybe there will be more from Spencer on an ad hoc basis.

The Way It Is is as ever lyrically topical, Bruce Hornsby's song about the civil rights struggle by African Americans in the 1960s. The third verse goes like this...

'Well, they passed a law in '64To give those who ain't got a little moreBut it only goes so far'Cause the law don't change another's mindWhen all it sees at the hiring timeIs the line on the color bar, no, no'

The USA and the UK are both facing a massive right wing backlash at the moment with racial issues front and centre. No matter what the so- called 'patriots' say about the reasons for hanging flags and painting roundabouts it seems pretty clear to me that it's actually about defining Englishness and Britishness as white and that it's also designed to intimidate those people who aren't white, to make them question whether they belong. The march in London on Saturday was the 2020s successor to those by the National Front and BNP in the 70s and 80s, racism dressed up as patriotism. Patriotism is always a dangerous game to play, flags are always a dangerous piece of cloth to hide behind. They almost always lead to nationalism- and English nationalism is always racist. These things have ebbed  and flowed over the last half century and previously. Bruce Hornsby's line, 'That's just the way it is/ Some things'll never change', is maybe not enough right now. 

Sunday, 9 January 2022

That's The Way It Is

More 80s pop, this time from Bruce Hornsby And The Range in 1986. There's a lot to enjoy in The Way It Is- those extended piano lines and shifts in tempo, the verses about the civil rights movement, the divisions between rich and poor and black and white and the 1964 Civil Rights Act, and (not least) the chorus imploring you/ us not to accept things the way they are. 

The Way It Is 

It seemed an appropriate song to post with Sidney Poitier passing on Friday. RIP Sidney.