Unauthorised item in the bagging area
Showing posts with label love corporation. Show all posts
Showing posts with label love corporation. Show all posts

Sunday, 14 February 2021

Lovers

14th February. Valentine's Day in lockdown, difficult to spark some romance perhaps when you've been living in confined quarters for the best part of a year and a dinner date in a restaurant is out of the question- a takeaway tea or coffee while sheltering from the arctic blasts that have been heading our way this week is the most that lovers can hope for. We've still got music though. Here's some songs for lovers.

First The Scientist and a rocking dub from 1980, recorded at Channel One and mixed at King Tubby's, Sly and Robbie on board with bass and drums. 

Lovers

From 1991 and  Love Corporation,  Ed Ball's loved up Creation Records dance division- chunky drums, piano runs and thumping bass. 

Lovers

Wednesday, 4 November 2020

Tones

It never rains eh? We had  a positive test for Covid within our household yesterday so are all now isolating for fourteen days- it's made all the more difficult by the fact our eldest is clinically extremely vulnerable so we're having to be extra- isolated within the house as far as possible (with only one bathroom) and extra- careful with the risks of cross infection. It's all it of a nightmare. 

As a distraction, here's some music- in 1990 Love Corporation released an acid house infused album called Tones. Love Corporation were Ed Ball's one man band, an side project from his music made as The Times. Tones is a six track record with Palatial as the stand out, a song later remixed by Danny Rampling, but the rest of the album is worth spending some time with too- a lesser known but rather good slice of 1990.

Palatial

Lovetones

Friday, 11 October 2019

Focus Your Attention On A Spot


Today's post accidentally fits in really well with David Byrne's ideas about finding vocals and using them in new musical places (see yesterday's My Life In the Bush Of Ghosts post). A while ago someone somewhere, sorry I can't remember who, posted two Orbital tracks both released in 1990, one the B-side to Chime and the other a remix of that B- side from the Omen 12". Deeper and 2 Deep take the voice from a relaxation tape, designed to help people who were unable to relax or get to sleep, calm down and chill the fuck out. A warm, calming voice appropriated by the Hartnoll brothers and laid over some techno. Knowing, ironic, a bit trippy. 'Close your eyes and relax...'

2 Deep

I put both versions onto a compilation CD along with other similar stuff and found that they sounded really good driving to and from work. Thankfully they didn't cause me to relax so much that I fell asleep at the wheel. That would not have been relaxing.

Also from 1990 and in the same ballpark is this from Ed Ball's Love Corporation- sparkling, inventive acid house with a vocal found on a New Age, meditation tape, remixed by the King of Shoom Danny Rampling. 'Close your eyes and begin to breathe slowly and deeply...'

Palatial (Danny Rampling Remix)

'Revel in this sleep and I will return in a minute'

Saturday, 14 February 2015

Give Me Some Love


Good morning lovebirds.

Love Corporation was the acid house alter ego of Ed Ball (of The Times, Creation Records etc). This is a long, loved up Weatherall remix with bells and whistles and breathy vocals.

Give Me Some Love (Andrew Weatherall Remix 2)

Tuesday, 1 November 2011

Palatial Creation


Watching the documentary on Creation Records on BBC4 on Friday night reminded me of just how many great bands and how many great records Alan McGee's label released, certainly in the period before signing Oasis (after which it all went wrong). It was a little flawed as a documentary, and full of 'we were so crazy, we took so many drugs' but overall the music and the misfits in the bands shone through. So I thought we'd have a few Creation inspired posts starting with Love Corporation, Ed Ball's dance project, included on the still magnificent 1991 compilation Keeping The Fath. Alan McGee invented acid house, didn't you know?