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Showing posts with label the pop group. Show all posts
Showing posts with label the pop group. Show all posts

Friday, 2 October 2026

The Girl Of Our Dreams

One of the wheels set in motion by The Sex Pistols and the birth of punk in the UK in 1976 was the appearance of regional scenes where creative people suddenly saw a route to making music in a different way and didn't feel the need to go to London to do it. Don't ask for permission, don't wait for someone to offer you a contract, just get up and do it. In Manchester, Liverpool, Sheffield, Leeds, Glasgow, Edinburgh and Bristol bands began to act. Another of the wheels was the realisation by some that you didn't need to sound like The Sex Pistols, you could funnel all sorts of other influences into your DIY sound. 

This was as true in Bristol as anywhere else. The Pop Group gave themselves the most generic name they could think of (only A Pop Group could have been a little more generic), a name dripping in irony. They took their influences- punk but also jazz and free, dub, funk- and fused them with radical politics to come up with some of the most uncompromising, intense and intuitive post- punk records. 

She Is Beyond Good And Evil was their debut single, released in March 1979. Mark Stewart was a didactic and intense frontman and lyricist. The song is about love as an unconditional force, a force where according to Mark, 'idealism and energy mix poetic, existential, and political yearnings with the romantic idea of passing through nihilism and emerging on the other side with something positive, something beyond'. 

She Is Beyond Good And Evil

The Pop Group were not making pop music, certainly not the chart bothering stuff. The guitars are vicious and trebly, similar to the scratchy sound ACR were brewing up in Manchester. The bass is from dub. The drums too. There is dub space and FX and Mark delivering with lines like, 'Western values mean nothing to her', and, 'She is the one thing you can't buy/ With zero reasons for living'. 

On We Are All Prostitutes, their second single, also released in 1979, the band sound angry, disturbed, raging, alienated and violent, the band hewing around, the sound veering from left to right, never settling for a moment with a skronking sax solo interrupting the middle of the song. 

We Are All Prostitutes

The B-side was titled Amnesty International Report On British Army Torture Of Irish Prisoners. 

The Pop Group released two albums, Y and For How Much Longer Do We Tolerate Mass Murder? and then split in 1981. The members went on to influence pop music further in all sorts of ways- between them they were instrumental in Rip Rig And Panic (and beyond that in Neneh Cherry's solo career), Pigbag, Maximum Joy, The Slits and with Adrian Sherwood and On U Sound. They reformed in 2010 at the instigation of Matt Groening, creator of The Simpsons. Mark died in 2023 bringing the reunion to an end. Guitarist John Waddington died in the same year. 

Saturday, 20 July 2024

V.A. Saturday

Another V. A. Saturday, another Soul Jazz compilation- this one a 2001 post- punk/ punk- funk/ industrial party with the demob suits and short back and sides groups from the UK in the late 70s and early 80s. In The Beginning There Was Rhythm has action from the regional outposts of the punk funk/ industrial scenes, from Manchester (two ACR songs, Shack Up and Knife Slits Water) and Sheffield (The Human League's Being Boiled and Cabaret Voltaire's Sluggin' Fer Jesus) and also the London based bands 23 Skidoo, Throbbing Gristle and This Heat.

The title track is a song by The Slits, originally a 7" single released by Rough Trade and Y Records in 1980, The Slits on one side and Where There's A Will There's A Way by The Pop Group on the flip. 

In The Beginning There Was Rhythm

It's a spindly, scratchy and idiosyncratic five minutes, the bass and beat bumping along and Dennis Bovell's dub production at the fore, Viv's abstract guitar and bursts of piano and Ari stopping every now and then to declare, 'Silence is a rhythm too'.

The Pop Group's She Is Beyond Good And Evil is also on the CD, a 1979 single with Mark Stewart using the language of unconditional love as an act of revolution, romance and politics bound together with some dub bass, wire scratch guitars and reggae drums. 

She Is Beyond Good And Evil

From Bristol to Leeds and Gang Of Four's thumping, atonal, driving racket, the 1981 song To Hell With Poverty, a song that dances in the face of having only a fiver in your pocket until Giro day/ pay day, 'To hell with poverty/ We'll get drunk on cheap wine'.

To Hell With Poverty

We finished school for the summer holiday yesterday, six weeks off working stretching out ahead of me, thirty one years of teaching completed and like Jon King and Gang Of Four, cheap wine tonight's option. 

Sunday, 8 June 2014

I Heard It Through The Bassline


The Bagging Area Slits-fest continues with this astonishing piece of live footage from Berlin in 1981, playing Man Next Door- freeform dub live with The Pop Group's Bruce Smith on drums, Neneh Cherry on backing vox and dancing and Ari, Viv and Tessa in full effect for eight minutes. There really was nothing else like them.

Man Next Door was originally a John Holt hit, based on a Dr Alimantado song, based on a Dennis Brown song.



As an extra I've been hammering this recently, their cover version of I Heard It Through The Grapevine (B-side to Typical Girls). It is the best dub-punk cover, bar none, and I have posted it before but it bears repeating. Tessa Pollitt's bassline is out of this world- as Ari Up sings 'I heard it through the bassline'

I Heard It Through The Grapevine