Forty Minutes Of Paul Simonon

This happened last night- Paul Simonon and Dan Donovan DJing at The Golden Lion in Todmorden. They were both lined up to play in August 2023 but Paul had to pull out and Dan played solo, a set of reggae, ska, rockabilly, punk and Clash songs. I wrote this post in advance of the show so can't report back yet but will do so soon. 

In the meantime here's a forty minute mix of Paul Simonon songs, presented roughly in chronological order, featuring the dulcet tones, reggae inspired bass and beating heart of The Clash, Paul Simonon, the coolest man to ever wear and play the bass guitar, the sharpest dressed man in punk.

Forty Minutes Of Paul Simonon

• The Crooked Beat
• The Guns Of Brixton
• Robber Dub
• Red Angel Dragnet
• Hey Amigo!
• Kingdom Of Doom
• The Good, The Bad And The Queen
• Plastic Beach
• Hero
• Lonely Town

The Crooked Beat was Paul's song on Sandinista!, a bass- led groove celebrating the blues parties and shebeens of his youth in South London with Mikey Dread at the controls. One of Sandinista!'s hidden gems. 

The Guns Of Brixton was written by Paul, initially titled Paul's Tune, and worked into the song we all know during the London Calling sessions at Wessex. Paul had realised during 1978 that the real money was in songwriting and elbowed his way into the Strummer- Jones partnership. Live Paul would sing/ shout the song with Joe switching to bass. Paul's bassline, instantly recognisable, was borrowed for Beats International's Dub Be Good To Me, a 1990 number 1 single. CBS released a 12" of Guns Of Brixton shortly after to cash in with some club friendly remixes by Jeremy Healy. I was going to include both Dub Be Good To Me and return To Brixton on this mix but wanted to keep the running time down to under forty five minutes. I still think Dub Be Good To Me is a great record and should have put it in this mix.

In 1980 The Clash appeared live on American TV on ABC's Fridays, playing four songs including this paring of Guns Of Brixton and Clampdown. You don't need me to tell you that this is the stuff that dreams are made of. 

Bank Robber was a 1980 single, recorded at Manchester's Pluto studio, produced by Mikey Dread, and originally released on import. When it charted by import sales alone CBS put out a UK release in August 1980. According to Paul in the Westway To The World documentary at first CBS executives didn't want to release it, saying it sounded like 'David Bowie backwards'. Bank Robber is a Clash classic, heavy, reggae inspired bass and drums. The Robber Dub first the light of day on Black Market Clash. 

Red Angel Dragnet is from 1982's Combat Rock, Paul on vocals on a song about the New York Guardian Angels with a Taxi Driver quote section narrated by Kosmo Vinyl. The free association lyrics in the end section are bewilderingly brilliant- 'Hands up for Hollywood/ Hooray/ I hear you/ Snappy in the air/ Hang in there/ Wall to wall/ You saved the world/ What else? You saved the girl/ Champagne on ice/ No stranger to Alcatraz...'

After The Clash 2 eventually split Paul formed Havana 3am with Nigel Dixon, Gary Myrick and Travis Williams, naming themselves after a 1956 Perez Prado album Paul was fond of. They played a cut and shut mix of rockabilly, Latin, dub and Spaghetti Western. Nigel died of cancer in 1993 and the rest of the band split. Paul lived in LA for a while in the late 80s/ early 90s, riding his motorbike with Steve Jones. During this period Paul and Steve found themselves in a studio with Bob Dylan- Dylan had been looking for a band to record with and somehow they got the gig. Paul recounts Dylan playing them a song, them playing along, then another, and another. After six songs Dylan said they'd go back to the first and record it and then the others. By this point Paul had forgotten the first song and the others too. This became Down In The Groove in 1988, which is nobody's idea of a great Bob Dylan album. In fact it may be his wrost. I don't have a copy any more (I once had it on cassette) and therefore can't include any of the Simonon- Dylan songs. Paul moved back to London, put his bass away, and began painting again- he'd been at art college in 1976 when he met Mick Jones and started The Clash. 

In the early 21st century there were rumours and rumblings that The Clash were going to re- unite to play at the Rock 'n' Roll Hall Of Fame to celebrate their induction. The Rock 'n' Roll Hall Of Fame is an awful idea and I imagine a terrible place too. Joe apparently was up for it, Mick was in Topper was clean. Paul kiboshed it saying if they did reform it wouldn't be for a bunch of people paying hundreds of dollars for a ticket but for real fans. He also said what he took from punk was not looking back- 'I never wanted to go back and relive the glory years; I just want to keep moving forward'. Joe tried to persuade Paul to do it by saying he had Mani on standby. It was the last time Paul spoke to Joe. He died in 2002, just days after the conversation. 

In 2007 Paul made an unexpected return to bass playing as part of The Good The Bad And The Queen, a Damon Albarn supergroup with Tony Allen on drums and Simon Tong from The Verve. Paul first met Damon at Joe Strummer's wedding in 1997 and although some friends advised him not to work with the Blur singer, he went ahead. The debut album was a low key, melancholic state of the nation, urban Victoriana set of songs. Kingdom Of Doom seems to sum up the end of the Blair years, pubs, the Iraq war and Damon's general dissatisfaction with things. The title track to the group and album is frenetic, with constantly building tension and Tony Allen's drumming finally unshackled at the end of the album.

Paul continued with Damon on Gorillaz's 2010 album Plastic Beach, playing on the title track with former- Clash bandmate Mick Jones. Both of them then joined the full Gorillaz live band touring in 2010, the entire band in nautical and naval inspired wear. Paul Simonon just looked like Paul Simonon. Plastic Beach featured a wealth of guest stars- Snoop Dogg, Kano, Mos Def, Bobby Womack, Gruff Rhys, De La Soul, Mark E. Smith, and Lou Reed- and played Glastonbury in June 2010, a performance instantly memorable for the moment Mark E. Smith wandered onto the Pyramid Stage in a leather jacket and approached the microphone...

Hero was an internet only single in 2014 from a series of pump/ trainer related musical tie ins from Converse called Three Artists One Song. The three artists on Hero were Frank Ocean, producer Diplo and one half of The Clash, Paul and Mick (plus the West Los Angeles Children's Choir). The result of this unlikely origin story is a song that does more in two and a half minutes than some bands manage over the course of an album. I made it the Bagging Area Song Of The Year 2014 (I mean, what accolades come higher??) and I stand by that ten years later. Mick's guitar prominent in the mix and Frank's lyrics and voice at the peak of their powers as he dissects the experience of being a young black man in modern America.

Lonely Town is from the album Paul made with Galen Ayres last year, Can We Do Tomorrow Another Day?, a collection of charming acoustic guitar and twin voice songs that began with Paul busking with some locals in Mallorca after Covid some folk, some sea shanties, some Nancy and Lee vibes, some Spanish songs. Imagine how funny it would be to be walking down the street in Palma, on holiday, enjoying some Balearic sun, and there's Paul Simonon playing songs in the street.... 

Half An Hour Of Kids

A bit of a diversion from my Sunday mix series of (roughly) thirty minute mixes of tracks and songs by a single artist- today's mix is themed around the sound of children's voices/ children's choirs. Do not fear though, there are no St Winifred's School Choirs here, no Primary School end of year shows. This is I hope a bit further left of there. Sometimes the use of children's voices in songs can be quite unsettling, that combination of sweetly sung innocence and the feeling of something being lost. Sometimes they provide a higher register counterpoint. Sometimes they add to a sense of trippiness and dislocation. Sometimes they just sound good, a contrast to adult voices and instruments. Sometimes, as The Clash and Mickey Gallagher's kids prove, they're a joke to ensure that Sandinista! had six songs on each side, making thirty six songs in total. 

Thirty Minute Kids Mix

• Family Of God: Family Of God
• Frank Ocean, Mick Jones and Paul Simonon: Hero
• The Children Of Sunshine: It's A Long Way To Heaven
• The Avalanches Ft Jamie Xx, Neneh Cherry and Calypso: Wherever You Go
• Gorillaz: Dirty Harry
• Soul II Soul: Get A Life
• Poly High: Midnight Cowboy
• The Clash: Career Opportunities

It's only right I should give a nod of the head to David Holmes whose crate digging inspired some of this mix. He played the Poly High song on his Desert Island Disco on Lauren Laverne's 6 Mix show earlier this year, included the Family Of God track on a free CD that was given away with the NME in 2000 and put the Children Of Sunshine song on his superb Late Night Tales compilation from 2016. The Frank Ocean, Paul Simonon and Mick Jones song was a one off done with/ for Converse in 2014, produced by Diplo, with the West Los Angeles Children's Choir providing backup. The Avalanches song also has Mick Jones playing on it but this time piano not guitar, and samples The Voyager, NASA's tape for aliens, currently somewhere out there way further than any of us have ever been. The album We Will Always Love You came out in 2020. Gorillaz, Damon with Dangermouse, was released in 2005.  Soul II Soul's Get A Life was a huge hit in 1989 and includes Jazzy B's still excellent advice- 'Be selective, be objective, be an asset to the collective/ As you know, you got to get a life'. Something in that for all of us perhaps. 

I've Been Playing Concerts In The Mud

I've posted this song before but it always cheers me to hear it when it returns into my musical orbit. Back in the early/ mid 2010s Converse had a marketing project called 3 Artists 1 Song where they, yep, got three artists to collaborate on one song and hoped everyone would buy a new pair of pumps after hearing the results. Often product tie in makes me run a mile but I appreciate I'm of a generation where this type of thing is seen differently and that music- product synergy is broadly acceptable now. Also Converse can't be too near the top of the list of evil mega- corporations, we've all pairs of Converse haven't we? (I'm now worried that if I run a search for Converse I'l find all sorts of unpleasant things I didn't want to know involving child labour, shady union practices and Nazi gold). In 2014 Frank Ocean, Mick Jones and Paul Simonon, and producer Diplo came up with a song called Hero. It looks like they were grouping the two former members of The Clash together as one artist. In 2014 Mick and Paul were coming off the back of touring together as Gorillaz. Frank Ocean was hot news but has been very quiet for the last few years. Diplo I don't know much about other than his work with M.I.A. (and depressingly having just done a Google search I've read that allegations were made against him in 2020 from three women including singer/ rapper Azealia Banks regarding sexual behaviour and revenge porn). 

Hero is a blast, a splicing of old and new sonically with guitars and beats and a stuttering effect. Frank's voice is both honeyed and raw as he sings of being young and black in the USA in the 21st century- 'I'm a bad boy/ I'm a punk/ I'm a black man/ I can dunk...' Mick and Paul''s bass and guitars swim around, clanging heroically through the chorus. Then the West Los Angeles Children's' Choir come in and the second half goes all California sunshine and 70s TV. Lovely stuff. All over in under three minutes and it could easily be longer without losing anything. 

Hero

If You Catch Me At The Border I Got Visas In My Name

A month ago I watched the excellent documentary Matangi/Maya/M.I.A., a film about the life, music and politics of M.I.A. The film is made up of home video footage, TV appearances, time spent with Justine Frischmann and on the road with Elastica, interviews and various shaky, hand held video camera and phone clips. It's a fascinating document, energetic and gripping. Much of the film centres around a visit to Sri Lanka which Maya extends longer than intended and the impact this has on her convictions and politics and the effect this then has on her music, her view of herself as an immigrant and a Londoner. As her music becomes more popular and widespread she walks into various controversies. She is accused by the US media of being a terrorist sympathiser (her father was a founding Tamil Tiger). She is set up by the New York Times and responds by tweeting the journalist's mobile phone number. She is invited by Madonna to appear with her at half time during the Superbowl and gives the whole of Middle America the middle finger. Her ambition and attitude are evident from the star and she comes across very well too, likeable and genuinely questioning her own attitudes and beliefs. She has swagger and self- belief and has made some of the best pop songs of the 21st century.

I've posted this before but it never gets tired, a thrilling pop- rap blast riding in on that Mick Jones Straight To Hell guitar sample, Diplo's production and M.I.A.'s lyrics about people's perceptions of immigrants (hence the gun shots and cash registers of the chorus).

Paper Planes

The best use of a Clash sample? Maybe so. Norman Cook and Beats International made very good use of Paul Simonon's bassline for Dub Be Good To Me in 1990, with Lindy Layton's sweet vocal and The SOS Band's song.

Dub Be Good To Me (LP version)

In 1994 Deee Lite sampled the wheezy organ from Armagideon Times for Apple Juice Kissing, a song about kissing on the back row of the movies and therefore a much less political song than Paper Planes, Straight To Hell or The Clash's cover of Willie Williams' reggae tune but all part of life's rich tapestry. And a very smart use of a Clash sample too.

Apple Juice Kissing

I'll Be Playing Concerts In The Mud

Periodically it's good to remember this 2014 song from the combined talents of Frank Ocean, Diplo, Paul Simonon and Mick Jones. Put together as something to do with Converse it goes way beyond a cheap commercial tie in. Mick's shimmering guitar part and Diplo's beats are the perfect accompaniment to Frank Ocean's meditation on being a young black man in the USA- 'I'm a badboy, I'm a punk'. The West Los Angeles Children's Choir join in and lift it further upwards. I don't think all four were ever present in the same room at the same time- Frank's vocals were done elsewhere, at a different time- but it doesn't show or matter. At the time there was talk of other tracks Mick and Paul put down with Diplo but it doesn't look like anything came of them, so this is all we have. The only real disappointment is that it's all over in under three minutes.

Hero

We Pack And Deliver Like UPS Trucks

Another Clash sampling delight, possibly the pick of the bunch, is M.I.A.'s masterpiece Paper Planes. Producer Diplo sampled Mick Jones' guitars from Straight To Hell, bent them about a little and allowed M.I.A. to do her thing. The gunshots and cash registers on the chorus are perfect and the song is a blast from start to finish.



The DFA remix is alright too.

Paper Planes (DFA Remix)

2014: A List

This is my list of the stuff I've enjoyed most this year. There is nothing objective about rating or comparing music, any Best Of... can only be subjective.

Albums
There are two compilations that have taken up some of my listening time in 2014- Kompackt's 'Total 14', two discs of electronic tunes from the Cologne based label, with a high hit rate. The Time And Space Machine's 'The Way Out Sound From In' was a compilation of Richard Norris remixes that worked like a proper album and sounds adventurous and open minded. I liked the Ellis Island Sound album- a bit world music, a bit Talking Heads and Brian Eno. The Amazing Snakeheads 'Amphetamine Ballads' is a menacing, swaggering rock 'n' roll record shot through with hard drink, quiffs and cigarettes. Hollie Cook put out her second album 'Twice', ace Prince Fatty reggae with Hollie's gorgeous and intimate voice. My top five, at the time of writing, looks like this.

5. Aphex Twin 'Syro'
It might not have broken new ground but as a set of electronic sounds it was as good as it was unexpected.

4. Neneh Cherry 'Blank Project'
Raw, honest and stripped back. A proper album.

3. Pete Molinari 'Theosophy'
Totally retro- good songs, well played and sung, a cut above.

2. Warpaint 'Warpaint'
I started listening to this back in January and haven't got bored of it yet. Dreamy, stretched out grooves with the songs hidden somewhere inside.

1. Jane Weaver 'The Silver Globe'
A month ago I had only just heard of the Jane Weaver lp. It's been on my turntable more or less ever since. David Holmes and Andy Votel produce. The synths are cosmic, the singing beautifully English, the arrangements fantastic.



Singles/EPs/Remixes/Internet Only Releases/Etc

I don't know what has happened to guitar bands this year. Many of them sound very hackneyed to me. Or maybe my tastes have just narrowed recently. Most of the sounds that I've had on repeat since January have been from the dance music end of things. I loved the Death In Vegas 'Gamma Ray' 12",  really intense and absorbing techno. Several remixes buttered my toast- Khidja's trippy 'Mustafa' as remixed by Timothy J Fairplay and Richard Norris' 'Freaks' re-done Hammer horror style by Ivan Smagghe. I bought Maurice and Charles' 'I, Carpenter' on 12" on a whim and it throbs darkly with Escape From New York samples. I posted an Andrew Weatherall remix top nine last Saturday- the Julian Cope One Three One band Dayglo Maradona 'Rock Section' Remix (only on white vinyl novelty fans) was the best. The Hardway Bros four track 12" from last month (Sleaze) has been on heavy rotation recently.
My top five goes like this

5. Warpaint 'Disco/Very' The Time And Space Machine Remix
Rolling, sexy, trippy dance rock.

4. Junior Fairplay 'Sugar Puss'
Let's party like it's 1992. Breakbeats and Korgs. On one sided purple vinyl.

3. Tim Burgess 'Oh Men' Peaking Lights Remix
Stunning, driving, electronic reinterpretation of Tim's country song.

2. Friendly Fires and The Asphodells 'Before Your Eyes'
A two track chilled, cosmiche collaboration from the St Albans threepiece and Weatherall/Fairplay. This one came in a lovely thick sleeve and on orange vinyl and the A-side especially is superb.

1. Frank Ocean, Diplo, Mick Jones and Paul Simonon 'Hero'

The Frank Ocean, Diplo, 50% of The Clash collaboration came out on the internet as a tie-in with Converse. It is a sort of hip-hop, doo wop, punky soundclash that sounds joyously great, while Frank sings about the experience of being a black man in modern America. The only thing wrong with it is at two minutes and forty six seconds it is over too quickly.

Veni Vidi Vici

I have decided to accept the self imposed challenge to post a song each day this week with a Latin title- that's Latin the dead language rather than latino or latin American just to stick some rules on it. It may require some thought to get through the week (although Friday is sorted).

The Black Lips were a decent little garage band who appeared towards the end of the last decade. They got a lot of press for their bad behaviour- pissing on stage, spitting in each other's mouths etc- which overshadowed the songs a bit. This song is a good 'un, less raucous than the rest of the album it came off. Came, saw, conquered.



There was also a Diplo remix, which kept the bassline and sound effects but redid the drums and looped some of the rest up a bit.



And, here we go again, an Andrew Weatherall remix which as far as I know was only released on a compilation/mix cd he put together called Watch The Ride. If you can wait until teatime on Wednesday you'll be able to dl it.

Veni Vidi Vici (Andrew Weatherall Dub)

Mick, Paul, Frank And Diplo

Judging by the comments here and elsewhere on the net a lot of people have enjoyed the Mick Jones, Paul Simonon, Diplo and Frank Ocean collaboration I posted a link to last week. To my mind it's one of the best new songs I've heard this year and according to interviews there are four other songs they've been working on which could be released. So you might enjoy the clip here, with some studio footage and interview snippets with Mick, Paul and Diplo. Frank is absent.

Conversely

Mick Jones and Paul Simonon re-appear here, courtesy of a well known plimsoll manufacturer (hard to get too po-faced and uppity about this piece of 'advertorial synergy', we've all owned a pair of Converse haven't we? Cue a string of comments by people saying no). Half of The Clash along with producer Diplo and Frank Ocean and the West Los Angeles Children's Choir for the Three Artists, One Song project. Dodgy arithmetic but the song, Hero, is really rather good with a lovely fade in. Free download.