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Showing posts with label ian vale. Show all posts
Showing posts with label ian vale. Show all posts

Friday, 19 December 2025

Friday Dub Disco Party

Earlier this year Matt Gunn released an EP titled Nowhere, three tracks long and led by the long drifting dubby electronics/ guitars of Something Ain't Wrong If Something Ain't Right- a track that sounded a little like early Verve produced by Adrian Sherwood. Matt's finishing the year with a new EP, four tracks brought together as Electric Dub Cuts. Big Static has a digital reggae bounce, long slow synth chords and the kind of space and feel of The Orb. Wicker Dub is credited to Gordon and Gunn, a seven minute odyssey with chopped up voices from TV adverts, an oompty sounding kick drum, the kind of bassline that gets a nervous system response and synths that prickle the skin and make the hairs on the nape of your neck stand up. 

The third track- Someone Else's Dream (Matt Gunn Dub Mix) by Electric Wood- is a woozy, bluesy, late night howl with a thumping dub rhythm. Electric Dub Cuts concludes with Dub Electric- eight minutes long and the sort of dubbed out indie dance that used to take up all of side B of a 12" single, the results of a guitar band sent spinning into the cosmos by a talented remixer. Lovely stuff. Get all four over at Matt Gunn's Bandcamp treasure trove. 

Out on Duncan Gray's Tici Taci today is the latest EP from Uj Pa Gaz, four tracks out of Tirana, Albania. It's an Adriatic delight, the blissed out feel of Balearica crossed with the chuggy Tici Taci sound and something else, the Tirana magic ingredient. Outerdubelic is expansive and led by a wonderful guitar topline over twinkling synths and chunky drums. Simple Brain is cut from similar cloth, optimistic and forward thinking psychedelic dance music, long synth chords and bursts of acidic squiggle. 

Dissimilar Function is a slo mo treat, a heady, dancing under the stars kind of track, an acid undertow with a two note refrain that splatters itself across the mix, grin inducing, ecstatic stuff. ALFOS via Albania. Shok cuts the tempos again and shuffles in, a voice buried somewhere in the, keys and synths, maybe a guitar, chuggy drums, sunsets... wonderful. Get it at Tici Taci. 

Edit: due to an admin error the release of Outerdubelic is delayed by a few weeks. There are some clips of each track at Soundcloud.

In Leeds Paisley Dark continues to put out high quality releases. The latest comes from Viper Patrol, a wonky acid/ dark disco track called Dancing Voices. The original comes with two remixes, one by  Cosmikuro and one by A Space Age Freak Out. Cosmikuro heads for the darker edges of the dancefloor, shimmering shards of guitar and funky clipped riffs lighting the way. A Space Age Freak Out freaks out, a psyche dub extravaganza. 

The second track is Def Charge- more dark disco with a trippy edge. The remixes of this one come from Ian Vale and Airsine. Ian Vale's is bass heavy and percussive. Airsine's is propulsive and insistent, punctuated by rippling synths and shouts. The whole package is at Bandcamp

Monday, 10 June 2024

Monday's Long Song

The latest release on Paisley Dark, Leeds based home of electronic psychedelia, is a five track EP by Ian Vale. It opens with Many Times, six minutes and twenty five seconds of dark acid house, four- four drums, a bouncing bassline and shimmering arpeggios- dark dub disco action.

It's followed by an Al Mckenzie remix, ten minutes of wobbly, slowly building electronic music, a twisting and turning, rising and falling remix that keeps on giving- it really is where the action is. Get both and three other tracks- a Ben Hunt remix of Many Times, another Ian Vale track  Oh Malone and a Julius remix of that- at Bandcamp

Al Mckenzie is one half of D:Ream whose 1993 hit single Things Can Only Get Better has recently made the headlines again, pumped out of a speaker at the public end of Downing Street when Rishi Sunak stood in the pouring rain and tried to make it sound like calling a general election was a good idea for the Tory Party. From there, it climbed the charts again and Al and Peter ended up having to make a statement saying to Labour, 'please don't use this song'. They haven't got over it being used by New Labour in 1997- the decision by Tony Blair to invade Iraq alongside the USA did for the relationship between D:Ream and the Labour government (as it did for any people). Singer Peter Cunnah described the song as 'a very odd piece of gravity that you just can't escape'. Al added, 'There's no way- our song and politics, never again'. I understand that decision but in a way it's also a shame- the sight of Sunak, unable to even find an umbrella never mind run an election campaign, piss wet through as the song drowned him out was priceless. Given what Sunak's done since however, it looks like one of the slicker parts of his election campaign.