Forty Five More Minutes Of Edits

In recent weeks I've done two Sunday mixes made up of edits. Part One is here and Part Two is here. Today is Part Three, another forty five minutes of edits, this one largely dancefloor oriented and with an 80s feel. 

Forty Five Minutes Of Edits Mix Three

• Can't Cope (Cotton Bud Re- Master)
• No- Thing
• M&M Hardway Bros
• Swamp Shuffle
• Never Let Me Down (Hunterbrau Edit)
• Jackie (Cotton Dub)
• Longed

Can't Cope is from Jezebell's Jezebellaeric Beats Vol. 1, a dubbed out and spaced out way to enter into the mix, our friend the Archdrude Julian H. Cope sent spinning even further out into the cosmos than he was previously. Safesurfer is from 1991's epic Peggy Suicide, the start of Julian's imperial period. Swamp Shuffle is also from Jezebellaeric Beats Vol. 1, the closing track, this time David Byrne, Tina Weymouth, Jerry Harrison and Chris Frantz given the treatment by Jesse and Darren. 

No- Thing is from Resident Rockers, the in- house edit team at Eclectics. Heroes. Twin Peaks. Moby. Acid. No- thing will keep us together. 

The M&M Hardway Bros edit takes Sleaford Mods Mork and Mindy, a song from 2020's Spare Ribs, with Billy Nomates on guest vocals, a tale of a childhood spent in colourless suburban council estates, Action Man and Cindy and mum and dad being out, long afternoons with nothing to do. Sean monkeyed about with it and turned it into an ALFOS at The Golden Lion moment. 

Hunterbrau's edit of Depeche Mode's 1987 classic Never Let Me Down came out on Paisley Dark, dark disco/ slowed down sleek goth.

Rich Lane's Cotton Dubs are second to none. His edit of Sinead O'Connor's Jackie (from her debut, the Lion And Then Cobra) repurposes Sinead with an 808 while losing none of her power. 

Longed is an edit of All Day Long from New Order's 1986 album Brotherhood. The chopped, looped and edited version here, largely instrumental, is from an intriguing project I was tipped off about on Bandcamp, a highly unofficial edit service by Follytechnic Music Library. Longed is from a collection of New Order edits called Ordered 86- 93 but there's waaaay more there than just one album of nine New Order edits. Have a dig around, see what you can unearth. 

Too High Too Low

Some new songs to distract from the customary end of August dread that starts to sink in around this point of the year. If you like dark, intense, chuggy acid thump, this pair should be right up your alley. First up for today is the latest from Rich Lane, this time back with his Chug Norris hat on. The Dark And Sweaty EP has two tracks, Black Mass and The Ceiling. Coming in with a thudding kick drum and some acid whooshes, The Ceiling is designed for a dancing, specifically in dark, hot sweatboxes. After a minute of build up an impossibly deep voice interjects- 'You're drenched in sweat'-  and then the bassline takes over, grinding and bumping. A soulful voice joins in, Sheila Kerr singing about sweet reverberations and perspiration dripping from the ceiling. Machine music coupled with human voices, metronomic beats and emotional vocals. 

The Ceiling is available at Bandcamp. The Dark And Sweaty EP is there too. 

The second song for today comes from the combined talents of Sleaford Mods, Billy Nomates and Hardway Bros. Sean Johnston has done an unofficial edit of Mork And Mindy, a song from Sleaford Mods' 2020 album Spare Rib, one of Jason Williamson's transmissions from failed state UK, this one starting off on a council estate in the early 80s with Action Man and Sindy getting it on on a Sunday afternoon while his parents are out. Billy Nomates guests, singing 'Too high too low/ It doesn't make a difference I know'. Sean switches the vocal parts around and pumps up the drums and the acid, bringing a new slow burning, thumping energy to the song. The M&M Hardway Bros Acid Edit is a track that works extremely well in a hot, sweaty, low ceilinged building. You can get it at Bandcamp as part of a four track EP of edits, Beyonders Present: Case Edits Vol 1. All four are worth the price of admission (£3.96), Sean's especially. 

The video for the original version of Mork And Mindy is memorable, Jason, Andrew and Billy in a house with a box of toys and some musical equipment, the smell of Sunday afternoons in the 80s drifting through the screen.