V.A. Saturday

Be Music was the name used by members of New Order when they undertook production work outside the band. Peter Hook used it first when producing what became a Stockholm Monsters B-side in 1982. After that all four members used it at one time or another. Bernard's interest in synths, production and the studio meant that in the period 1983- 85 he used it often, co- producing and/ or programming on some groundbreaking singles and tracks by a raft of Manchester and Factory acts, often with ACR's Dojo (Donald Johnson) alongside him- their work on 52nd Street's Cool As Ice, Section 25's From A Hilltop and Marcel King's Reach For  should be lauded from the hilltops, sung from the rooves of the tower blocks, but these are songs largely unknown. Tony Wilson said Marcel King's Reach For Love should have been Factory's biggest hit single. Unfortunately in 1984 for ideological reasons Factory eschewed things such as promotion and pluggers and so hardly anyone got to hear it. 

Reach For Love

In 2003 LTM compiled an album of Be Music tracks, all from the period 1983 to 1985, called Cool As Ice: The Be Music Productions. Reach For Love is on it, as the other two I mentioned above. The compilation has twelve tracks on it, a selection of the Be Music catalogue. Every single one is streets ahead of the competition. Here's a handful of them.

Quando Quango were Mike Pickering's band, formed in The Netherlands and then relocating to Manchester. Mike and Hillegonda Rietveld were electronic/ electro pioneers making two ahead of their time singles and an album (Pigs And Battleships). One of those singles was Love Tempo. The other was Atom Rock which featured not just Mike and Hillegonda but also ex- ACR singer/ percussionist Simon Topping and a moonlighting Johnny Marr with Bernard and Dojo producing (recorded in Cheadle Hulme south Manchester suburb/ geography fans!) and released on Factory as Fac 102. Futuristic Manc- funk. 

Atom Rock

Far more obscure are/were Nyam Nyam, a band from Hull discovered by Hooky. He produced a single, released on Factory Benelux in 1984, recorded at Strawberry Studios, Stockport. Factory- esque, flat northern vocals with rippling Moroder synths and that grey sheen of Be Music production. 

Fate/ Hate

Section 25 were from Blackpool. They released several records on Factory, albums and singles. All are worthy of investigation. Looking From A Hilltop uses an 808 and as as innovative as anything else anyone was doing in 1983. Bernard also produced Beating Heart, a 1983 single on Factory (Fac 68), dance gloom, synths and very Sumner sounding guitars and more lovely northern singing, 'My beating heart/ Beats for you/ Only you'.

Beating Heart

Be Music Theme was recorded by Hooky in 1983, designed as intro music for Stockholm Monsters gigs (Peter often mixed their sound live). It is I suppose the first solo New Order track, years ahead of Electronic, Revenge and The Other Two. It came out on a 1986 compilation, The Quick Neat Job (out on Crepescule, a French label Factory had links with). Otherwise, Cool As Ice is the only place its ever been released. 

Be Music Theme 

Forty Minutes Of Fac

In the 1980s Factory Records was the best record label in the world. Based on Palatine Road, a stone's throw from where I grew up, managed as a Marxist art project, bankrolled by New Order and home to a bunch of sullen, wilful experimental artists who famously signed no contracts and owned all their music, it put out record after record, almost none of which were hits. Today's mix is a small selection of the magnificence that came out of Factory in the mid- 80s (deliberately leaving out New Order), a period where the combined talents clustered around the table at 86 Palatine Road produced such life affirming and ground breaking music. 

Forty Minutes Of Fac

• Cabaret Voltaire: Yashar (John Robie Remix)
• Quando Quango: Genius
• Stockholm Monsters: All At Once
• Section 25: Looking From A Hilltop (Megamix)
• Marcel King: Reach For Love
• A Certain Ratio: Mickey Way (The Candy Bar)
• Durutti Column: For Belgian Friends

Yashar (John Robie Remix) by Cabaret Voltaire is Fac 82. Cabaret Voltaire released just this single 12" for Factory. 

Genius by Quando Quango is Fact 137. Quando Quango were formed in Rotterdam by Mike Pickering with Hillegonda Rietveld and Reinier Rietveld with former ACR singer Simon Topping joining on percussion. 

All At Once by Stockholm Monsters is Fac 107. Stockholm Monsters are the best band to come out of Burnage. 

Looking From A Hilltop (Megamix) by Section 25 is Fac 108, released in 1984, and still sounds like the future. It was produced by Donald Johnson of ACR and Bernard Sumner of New Order as Be Music. 

Reach For Love by Marcel King is FBN 43, released in 1985, and should have been number one in every country in the world. Also produced by Bernard Sumner and Donald Johnson. 

Mickey Way (The Candy Bar) by A Certain Ratio is Fac 168 from 1986. It was also on the album Force, ACR's last album for Factory (Fact 166). 

For Belgian Friends is by Durutti Column and first appeared on A Factory Quartet, Fact 24, in 1980 and then on Valuable Passages, a Durutti Column compilation from 1986 Fac 164. Donald Johnson plays drums. Vini Reilly is one of the true geniuses to be found on Palatine Road during the period. He still lives nearby. 

Genius

Genius might be overplaying it but it isn't too far off. Before M-People, before T Coy, Mike Pickering formed Quando Quango with Gonnie Rietveld and her drumming brother Reinier Rietveld. ACR's drummer Donald Johnson helped out too. They made dance music before such a thing really existed, combining the energy of New York's early 80s music scene with northern European tastes. Gonnie described it as 'Fela Kuti meets Kraftwerk somewhere between Manchester and Rotterdam' This song has manipulated voices, slow and fast, intoning the groups's name, spiraling piano parts, a Latin vibe and synths. It should have had them bouncing all over the Hacienda's dancefloor, except this was 1985- The Smiths held sway. And although this song is now thirty years old it still sounds really fresh. I like it so much I think we'll have two period piece pictures to go with it.

Genius

Chapter And Verse

I got Bernard Sumner's autobiography (Chapter And Verse) for Christmas. I haven't read it yet but have spent some time flicking through it. Bits of it sent me off towards the record collection and to Youtube. Which is where I found this piece of footage from thirty years ago.

January 1984 and The Tube is filmed live from the Hacienda. Onstage are The Factory All Stars who play four songs- 52nd Street's Cool As Ice, ACR's Shack Up and New Order's Confusion (all three together as a medley). Then Joy Division's Love Will Tear Us Apart (sung by Caesar from The Wake). There are way too many people on stage, several singers and a multitude of musicians (including members of The Wake, Quando Quango, ACR, 52nd Street, Bernard from New Order and Marcel King). They all seem to be having a good time and yes, it is a bit shonky but it is very good fun too.



Later on the same evening and also on The Tube a young lady called Madonna will make her first British TV appearance, miming and dancing. There is a story that Peter Hook offered her some cash to dance in the dressing room but I'm sure that's not true.

Quando Quango 'Atom Rock'

I published a post the other day about The Durutti Column, where I said that Factory Records was the greatest record label ever, and seeing as no-one left a comment arguing about it, I think we're all agreed on that one. So maybe this'll become a regular feature. Quando Quango were the first band of Mike Pickering, years before he made pop-house with the massively popular M-People. Atom Rock is very Factory- clipped white boy funk, short back 'n' sides, and produced by B-Music (New Order's production pseudonym). It's a great record, and features the massively talented Johnny Marr moonlighting from his day job. Can't imagine this track went down that well in Morrissey's house though.

07 Atom Rock.wma