Sunday, 31 December 2017
End Of The Year
Despite what I wrote a fortnight ago about this being a good year for music I'm not sure that 2017 will go down as a good year. Brexit continues to be a monumental mistake which will fuck this country over for the foreseeable future. It is divisive, regressive and blinkered, a country committing a slow suicide. My only hope is that it eventually screws the Conservative Party over completely- who created this mess and have to take the blame. In the US Trump continues to normalise views and opinions which should have been long dead and buried, not to mention deliberately provoking an unstable dictator in North Korea, in some kind of nuclear dick-measuring contest. As the year went on a succession of stories of men abusing their position and power flowed out. If 2017 has been grim, 2018 looks like being just as bad, if not worse.
Still, there's always music to cheer us up. When I wrote my list two weeks ago I missed a couple of things out which I should have included. Paresse's slow motion Scandinavian house has been a favourite of mine for a few years now and this year's Sloth Machine ep was no exception. This is the closing track.
Matt Johnson and The The returned to the fray with a vinyl only Record Shop Day release, a tribute to his brother Andy who died earlier this year. We Can't Stop What's Coming is a beautiful song, moving and genuine.
It seems right to mention the response in May to the bombing at Manchester Arena. The response was solidarity and strength, standing together not apart. It was also musical- from honorary Mancunian Ariana Grande putting together a massive concert at short notice at the cricket ground (just up the road from here) to the adoption of Don't Look Back In Anger as a sung two fingers to terror. My old school, Parrs Wood High School, provided the choir at the One Love concert and a host of pop stars sang their hearts out. We watched on TV through tears.
When the Supersonic documentary was on the other night my Twitter timeline was mainly full of people expressing the view that 'I never particularly liked Oasis but this documentary is really good'.
Lastly, in early May an event took place which confirmed my belief that people are essentially good and that bloggers are generally wonderful people. And that sometimes taking what seems like a risk is the right thing to do. A bunch of us- me, Brian (Linear Tracking Lives), Dirk (Sexy Loser), Walter (A Few Good Times) travelled from respectively Manchester, Seattle and Germany to Glasgow to meet the locals-Drew (Across the Kitchen Table), JC (The Vinyl Villain) and Stevie (Charity Chic Music), plus a few of JC's mates (Aldo, Comrade Colin, Strangeways). It was a risk- none of us knew if we'd get on or what would happen- but it paid off. We all have a new set of friends (real life friends now as well as internet friends) and I feel sure it will happen again. And everyone else is welcome too.
I was trying to think of a song that might find approval from the whole Glasgow bloggers collective, the international chancers (as Drew dubbed us), a song that we would say 'aye, that's a belter'. 80s indie looks likely. Early Primal Scream seems to fit the bill.