Monday, 27 March 2017
Damage And Joy
An hour and a half in the company of The Jesus And Mary Chain is a good thing at the moment. They turned on their own brand of charm on Saturday night, sounding engaged, interested and on some sort of mission. The opening one-two-three of Amputation, April Skies and Head On set us up nicely for what followed- some hits, some album tracks and some new songs. They were ragged enough for it not to seem too drilled or professional- Jim had to speak to the audience in gap after the opener due to a technical problem with William's sound and he ran out of things to say pretty quickly. They had three attempts at getting The Hardest Walk off the ground and at least one other song had a false start too. I like this slightly shambolic edge, it adds to the proceedings, reminds us of who they were. William's guitar is loud in the mix, often overpowering the rest of the group except for Jim and the snare drum, and he peels off the chords and top lines from behind his mess of hair, backlighting and dry ice. Those three sounds are what I want from a Mary Chain gig- Jim's voice, William's guitar and some drums. Teenage Lust is heavy and dark. Darklands highlights Cherry Came Too and Nine Million Rainy Days sound brittle and menacing. Some Candy Talking is fuzzy and tense, building to a staccato end. Reverence is long and overdriven. The encore brings a mini-Psychocandy, Just Like Honey, The Living End, You Trip Me Up and Taste Of Cindy before finishing with War On Peace, another new one. This slow approach to the reunion has done them some good, not rushing in and pushing it. Making an album, by their own admission a stressful experience, and managing to remain on speaking terms shows some growth. These miserable, uncommunicative but maybe now slightly more grown up middle aged men have found a way to make it work. Long may they have the blues.